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Note on Art
A personal commentary from LeRoy Neiman on the style and influence of his art.
Notes on art.
A personal note from LeRoy Neiman on his artistic style and influence.
Note on Art
This note from LeRoy Neiman is divided into two sections: first, a commentary on the artist’s style, and second, an anecdotal account of the artists’s public reception and popularity. With regards to the former, the document touches on everything…
Note on Art
This note from LeRoy Neiman provides a fragmentary introduction to the artist’s relationship with printmaking. The writing opens with an anecdote concerning Toulouse Lautrec (in which a french actress refuses the artist's gifted work). Falling out…
Note on Art
This note from LeRoy Neiman looks at the artist’s critical reception. Although the note is one of many touching on this topic, what proves distinct about this document constitutes the kind of organic process to which Neiman prescribes causation (for…
Note on Art
This note from LeRoy Neiman provides a retrospective account of the artist’s more commercial endeavors, in the 1960s. The document also contains brief comment on the artist’s critical reception. Written in preparation for the artist’s memoir All…
Note on Art
This note from LeRoy Neiman relays a set of images, experiences, partnerships, and cultural touchstones that proved of interest to the artist. The kind of frenetic associations made in the ad hoc list then in some way parallel Neiman’s own artistic…
Note on Art
This note from LeRoy Neiman touches on a range of his artistic references. The writing opens with a nod to nightlife. Subsequently, Neiman speaks to his interest in Holland and modern Dutch painting. And, the note closes with a list of artistic…
Note on Art
This abbreviated note from LeRoy Neiman looks at the artist’s critical reception. The note, although one of many addressing this subject, concludes with a metaphor of edibility.
Note on Art
This note from LeRoy Neiman was made in preparation for the artist’s memoir, All Told. The writing opens from the vantage point of both protest and resignation. Neiman is speaking to his critical reception. This emotionally indeterminate stance is…