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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
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LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
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LeRoy Neiman
Rights
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Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
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Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
DUTCH
Rotterdam
Harlem
De Kooning – Van Ostade
Mondrian
Van Dongen
Rembrandt – Rubens
Van Dongen Van Gogh
Franz Hals Harlem rediscovered int19th century
The Netherlands have produced major artists of different periods over the centuries going back Franz Hals who (16 century) spent his life in Harlem
[?] student [?] Van Ostadt followed him
Van Dongen’s a fauve panting took hold in Paris and later the French Riviera Piet Mondrian an exponent of Dutch abstract art knows as de Stijl – studied in Amsterdam Mondrain’s noe-plasticism was an outstanding feat in the history of modern art in New York.
DeKooning it goes without saying lead the Abstract Expressionist movement in NY
Merriment, dissolute, drunkin Tavern scenes
[?] gatherings
Van Oostadt and others
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, felt-tipped pen, marker, and colored pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A comment from LeRoy Neiman on modern Dutch painters.
Description
An account of the resource
This note from LeRoy Neiman looks at artistic reference, specifically modern Dutch painting. The document provides an assessment of artists ranging from Post-Impressionist Kees van Dongen to Modernist Piet Mondrian and Abstract Expressionist Willam de Kooning. Although the document provides an overview of modern “Dutch Painting,” not detailing aesthetic allusions on the part of Neiman, many of the artists mentioned impacted Neiman's process and style. Van Dongen was highly influential on his work, with Neiman discovering the van Dongen while studying at SAIC; this connection is accounted for across many of Neiman's personal notes. The latter two are less explicitly documented. That said, much of gestural quality of Neiman’s palette work the artist saw as a building off of a lineage of his near-contemporaries the Abstract Expressionists. In this note he terms de Kooning the “leader” of this school.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
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Image/jpeg
Language
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English
Type
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Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2006
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
de Kooning
Document
Notes
van Dongen
van Ostade
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774ef2927eb2544b93ad9020a95a4c42
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
[ H. INFLUENCES & IMITATIONS]
Army [When I just got out of the army in St. Paul, I did a quick oil on a cotton canvas fragment of a Tilman Riemenschneider's head of Christ from a pamphlet on his work I bought in Wurzburg in 1945 in an army occupation]
Chicago - New York [Carl Milles' Triton fountain at C.A.I and piece in stall at the Met Restaurant were touchstones to onyx Indian in St. Paul's post office] The two Minnesota pieces are no longer there
Student [As a student, because of Swedish blood, I read the writings of Swedenborg (6) and the plays of Stringburg. I also read Sartre, Paul Klee, Santayana, Freud, Kafka, the Russians, Baudelaire, Hemingway, Fitzgerald, Henri James (7), T.S. Eliot and discovered Beckett. I took Swedenborg] Books [from the library] /
[The Chicago sociologist started to make their imprint] impact [on me as well as poets Paul Carrol,] and [Raoul Denny, John Piper adn big MAN David Riesman - author of "The Lonely Crowd" (1950). I also erad Huizinga's "Homo Ludens" (1950), a study of play elements in culture, Reuel Denny, "The Astonished Muse", Jeremy Bentham, "The Pleasure Principle (Notes on Hedonism)" and Rudloph Arnheim, "Psychology and Perception" / I never really enjoyed History of Art projects but realized their value years later to this day and believe it to be the most important class along with figure drawing and painting in all art training. You must have knowledge of your predecessors and respect for them as you hope generations hence will have work for you / ---- / During the 50's and 60's, my favorite artworks were Toulouse Lautrec's lithos, Gustav Gourbet's (1819-1877) "L'Apres-Diner a Oran" (1949), Paul Cezanne's "Card Players" (1892), Daumier's "At the Cafe" Lautrec and Dufy were my favorites as well, together with Kees van Dongen, a then hard to find in Chicago, an "out of favor artist"] Will select from later [I became very attached to certain paintings in the Chester Dale collection - Henri-Marie-Rayond, Vicomte de Toulouse Lautrec Monfa, French 1892 "At the Moulin Rouge" (47 1/2 X 55 1/4), "At the Moulin de la Gallete". The SAIC owned half] /
[a dozen of paintings, a sketchbook and hundreds of prints. A Lautrec exhibitions was held in 1949. He put himself in painting. He drew great head shapes, women's hairdo, men's hat indoors, young adolescent girls. Right foreground: chlorotic, pale yellow, green color. Design. dark shape groups. / - Raoul Dufy, French 1877-1953: "Nude Reclining", an exotic painting with color combinations and violets and a mountain landscape "Saint Janet" / Also "Mindful of Hindu Girl" (1928) / - Henri Matisse, French 1869-1954: "Woman Before An Aquarium" The gaze of a woman stopping at fish. I always have felt Matisse arrived at what he wanted with having to change the things very much. His intelligence guided him,] he had the ability to [put down what he intended / - Pablo Picasso, Spanish 1881-1973: "Family of Saltimbanques" (7 X 7 1/2), "Lovers" / - John Singer Sargent, American 1856-1925: "Nude Study of an Egyptian Girl" / - Giorgio de Chirico, Italian 1888-19: "Conversation Among the Ruins" (loan) / - Francois Boucher, French: "Nude" / - Georges Rouault, French 1871-19 "Jesus Always Scourged" (1922) (Also "Christ's Head", in Paris) / - A half dozen Braques' and Innis / - The women paintings of Modigliani / - Edgar Degas, French 1834-1917 Pastels, namely "Dancers in the Wings"] /
[In the Art Institute Museum upstairs, Addison and I would visit the galleries almost everyday.] at noon time [He had his favorites - Rembrandt, Vermeer, etc. I had mine, mostly the French. Two particular paintings that made my mind wanter to the Riviera were Matisse's "Woman Standing at the Window" and Dufy's "Open Window" (Nice, 1928) Similar subjects were depicted a view out from an interior on]to [the Mediterranean. They made me want to be there. Eventually I did] / Check later [Between 1947 and 1959, when at SAIC, I became especially interested in / - John Constabile, British 1776-1837. landscape "Stoke-By-Nayland" (oil). Farming with broccoli trees and cathedral in the distance. / - Jean-Francois Millet, French 1814-1875 "Bringing Home The New-Born Calf" (oil) Peasant scene of a mother following calf bearers / - Jules Breton, French 1812-1875 "The Song of the Lark" Female dignity. / - El Greco 1541-1614: "Assumption of the Virgin" The rolled back upward wet eyes! / - Giovanni Paolo Pannini, Italian 1691-1765] /
Hendrick Gollzives Dutch 1558-1619 Hercules
[(engraving), rendering from back. Great technique and anatomy (Met. Mus, Rembrandt Collection). / - Giovanni Battista Tiepolo, Italian 1696-1770: "Rinaldo and Armida in the Garden". Prominent with companion piece at top of stairs; later other prominent pieces at the Met. Soft colors, space. / The Italians - Tintoretto, Veronese and Tiepolo - hit me hard and stayed with me, although they were not strongly represented in the Chicago Art Institute collections. I looked] up further [Fragonard and Tiepolo in Ryerson Library. / There was no way of not getting knocked out when the American Expressionists came to town in the late 1940s. Pollock, DeKooning, Marco Relli, [Klein] - to sight the ones who made the most powerful impact. Then there was the great masterpieces of French tapestry which I first saw at the Art Institute Show of 1948 and which set off a lifetime of keen interest. I repeatedly visit the tapestries collection at the Met when prowling] museums.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Wordprocessed document with pencil, pen, and marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on influences from the artist's time at SAIC.
Description
An account of the resource
This note from LeRoy Neiman provides an exhaustive account of artistic influences—covering everything from “Chicago sociologists” to Tilman Riemenschneider's <em>Head of Christ</em>— garnered at the artist’s time at SAIC. The note is roughly divided into five sections: influential literature read, courses (in both the humanities and studio arts) taken, artworks physical seen, and anecdotes about the Chicago Art Institute. The sections have little relation outside of autobiographical chornology, and the note was most likley taken in preparation for the artist's memior, <em>All Told</em>.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1092_01; LN_Notes_1092_02; LN_Notes_1092_03; LN_Notes_1092_04; LN_Notes_1092_05
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Bonnard
Cezanne
Chardin
Chicago
Daumier
de Kooning
Document
New York
Notes
SAIC
Tiepolo
Tintoretto
Toulouse-Lautrec
van Dongen
Veronese
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
["Without intent I draw from the outside world the semblance of things, but in this way, I, myself become part of the world's imaginings. Thus in everything imagination is simply that which is natural. It is natural vision, life..." / H. INFLUENCES & IMITATIONS / When I got out of the army in St. Paul, I did a quick oil on a cotton canvas fragment of a Tilman Riemenschneider's head of Christ from a pamphlet on his work I bought in Wurzburg in 1945 in army occupation. / During the 50's and 60's ] some of [my favoriet artworks were Toulouse Lautrec's lithos, Gustave Courbet's (1819-1877) "L'Apres-Diner a Oran" (1949), Paul Cezanne's "Card Players" (1892), Daumier's "At the Cafe" / Lautrec and Dufy were my favorites as well, together with Kees van Dongen, a then hard to find in Chicago, sort of "out of favor" artist. / I became very attached to certain paintings in the Chester Dale collection / - Henri-Marie-Raymond, Vicomte de Toulouse Lautrect Monfa, French 1892. "At the Moulin Rouge" (47 1/2 X 55 1/4), "At the Moulin de la Galette" the SAIC owned half a dozen of his paintings, a sketchbook and hundreds of prints. A Lautrec exhibition was held in 1949. He put himself in the painting. He drew great head shapes, women's hairdo, men's hat indoors, young adolescent girls. Right foreground chlorotic, pale yellow, green color Design dark shape groups] /
[- Raoul Dufy, French 1877-1953: "Nude Reclining", an exotic painting with color combinations and violets and a mountain landscape "Saint Janet" / Also "Mindful of Hindu Girl" (1928) / - Henri Matisse, French 1869-1954: "Woman Before An Aquarium" The gaze of a woman stopping at fish. I always have felt Matisse arrived at what he wanted with]out [having to change the things very much. His intelligence guided him, and what he put down was what he intended] very positive. When he made a change he left evidence / [- Pablo Picasso, Spanish 1881-1973: "Family of Saltimbanques" (7 X 7 1/2), "Lovers" and from his "blue period", little girl etching a bowl while standing at a table (1901) / - John Singer Sargent, American 1856-1925: "Nude Study of an Egyptian Girl" / - Giorgio de Chirico, Italian 1888-19: "Conversation Among the Ruins" (loan) / - Francois Boucher, French: "Nude" / - Georges Rouault, French 1871-19 "Jesus Always Scourged" (1922) (Also "Christ's Head", in Paris) / - A half dozen Braques' and Innis / - The women paintings of Modigliani / - Edgar Degas, French 1834-1917 Pastels, namely "Dancers in the Wings" / At SAIC all students experienced, first hand, the many benefits of the Museum, of the Ryerson Library Print Collection as well as the Goodman Theater of Drama - which was associated with the school. / My art teachers at SAIC were Boris Anisfeld (painting),] Document [Briggs Dyer (drawing and painting), Alan Philbrick (pen and ink), John Rogers Cox (scratch board rendering), Ed Ruppercht (subject matter, general drawing), Paul Wieghart (painting),] 6 [Members of SAIC's staff were Carl O. Schniewind (curator of prints and drawings) who loved French prints, Hugh Edwards (assistant] Harold Yoachim? /
[curator of prints and drawings), Ethelred Abbot (librarian), Ryerson and Burnheim. Katherine Kuh (curator of modern painting and sculpture) became an editor and liked my work. Daniel Catton Rich (director of Art Institute from 1938 to 1958) loved Magnasco (4) Fredrick A. Sweet (curator of American paintings) when he selected a painting from two he was considering to hang in the American exhibition of the Art Institute, said after studying the two paintings "you're on the right track, but your paintings need be a bit more cursory". This was meaningful comment and I've tried, but still show more than I should. / Art school students were John Bajerus, Bob and Herb Katzman, Franz Schultz, Seymour Rosephsky, Irv Petlin, Bob Natkin (with whom I am still in contact), Nathan Goldstein,] very promising sculptor [Claus Oldenburg, Leon Golub, Estes (who started the hyperreaslist school) Jordan Krimstein, John Jurgens] had something surrealistically special [and Charles Usher] a talent who I felt needed to be watched [a black student (5), were very talented. There are no big names today because of other objectives Robert Natkin was a kid out of high school in our class that comprised 75 to 85 war veterans - even WACS Student Whitney Halstead was an assistant to Kathleen Blackshear, the History of Art instructor and lecturer I once seriously kicked him in the ass when he snippely scolded me about my paper being turned in late. / The art Institute major shows were with De Kooning and Pollock (abstract expressionism), Enamul, Baziotes, Marco Relli, Van Gogh, and a tapestry show] Kline Guston / Katherine Kuh said when sitting with a group of students "Picasso if he were born and living the U.S. would do any kind of art he pleased to experience himself. In Europe he had to be just a painter and a sculptor. /
Between 1947 and 1959, when at SAIC, I became especially interested in [...] / - Jean-Francois Millet, French 1814-1875 "Bringing Home The New-Born Calf" (oil) Peasant scene of a mother following calf bearers / - Jules Breton, French 1812-1875 "The Song of the Lark" Female dignity. / - El Greco 1541-1614: "Assumption of the Virgin" The rolled back upward wet eyes! / - Giovanni Paolo Pannini, Italian 1691-1765: "Festival of Piazza Navonna" I later (in 1991) worked in Piazza Navonna. / - Nicolaus Poussin, French 1594-1665 "Saint John on Palmas" Landscape. / - Paul Cezanne, French 1839-1906 "Mountain being Mont Sainte-Victore" (1887 London) Great landscape paintings in Le Louvre Anvers: Cubistic Village Panorama (oil). Shanting roof tops and flat sides of buildings. Study Lorain "Cezanne's compositions" / - Kees Van Dongen, Dutch 1877-1919 "Rue de la Paix". Elegant womens and dogs, style. / - Willaims Glackens, Americans 1870-1938: "Chez Mougin" Restaurant, cafe scene with a couple, a coat over a chair, still life of glassware on table. Ash can. / - John Sloan, American 1871-1951: "Mc Sorley's Bar" "Renganeschi's Saturday Night" Restaurant. On the left side, a couple is busy attacking plates, a man is eating soup; waiter, etc. [...] / - John Marin, American. "Fifth Avenue", watercolor wizard, turbulence, clock 11 A.M. / - Edouard Manet, French 1832-1883: "Le Journal Illustre" Woman reading newspaper on baton in public attire. Brushwork, ala prima, fluid paint.] /
[- Pierre Bonnard, French 1867-1947 "Preparation for Lunch" (gouache). Folding napkins, setting table, still life, table cloth. / - Chardin, French 1699-1779: "The White Tablecloth". Bread, wine, knife. / - Daumier Honore, French caricaturist. He probed human feeling and broadly transcribed contemporary life. His period treated him unkindly; he is now belauded. This perversion of a talent justly celebrated for work of another kind has found much favor / - Hendrik Gollzives, Dutch 1558-1619: "Hercules" (engraving), rendering from back. Great technique and anatomy (Met. Mus., Rembrandt Colelction) / - Giovanni Battista Tiepolo, Italian 1696-1770: "Rinaldo and Armida in the Garden". Prominent with companion piece at top of stairs; later other prominent pieces at the Met. Soft colors, space. / The Italians - Tintoretto, Veronese and Tiepolo - hit me hard and stayed with me, although they were not strongly represented in the Chicago Art Institute collections. I looked at Fragonard and Tiepolo in Ryerson Library.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Word processed document with pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on art references garnered during his time at SAIC.
Description
An account of the resource
This note from LeRoy Neiman provides an anecdotal account of influences rooted the artist’s time at SAIC. Generally, the references catalogued are from a selection of French artistic movements and schools. In addition, Neiman supplies a discussion of SAIC faculty who expressed interest in his work.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1089_01; LN_Notes_1089_02; LN_Notes_1089_03; LN_Notes_1089_04; LN_Notes_1089_05
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Army
Art
Art Reference
Bonnard
Cezanne
Chardin
Chicago
Daumier
de Kooning
Document
Gollzives
New York
Notes
SAIC
Tiepolo
Tintoretto
Toulouse-Lautrec
van Dongen
Veronese
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
SHEL
DE MAUPASSANT
Short stories
Fitzgerald
Writers, ’20s Short stories
Peter Arno—(the) inebriated[,] social criticism[,] nite clubs—taxis NY
Jules [?] Cabarets
Charels Demuth Bars-Clubs-Vaudeville[,] PURPLE PUP[,] GOLDEN SWAN
Robert Delaunay (’20s)
(Blacks)
Archibald Motley NITE LIFE[,] BLUES, TEA PARTY[,] CAFES
Romare Bearden JAZZ—CLUBS
Jacob Lawrence WORKERS—CARPENTERS
CONSTRUCTION BUILDERS
(English)
Draftsman
Thomas Rowlandson GAMBLING[,] CAROUSING
Hogarth HARLOT[,] RAKE
LAUTREC SHRIMP GIRL[,] CIRUCS—NITE LIFE—
VAN OSTADT INNS TAVERNS
RAUCUS
CONSTANTINE GUYS ELEGANT SOCIAL
FORMAL SCENES
MILITARY
POUSSIN 1544-1665 Revels
TITAN
OUDRY
FRAGONARD
Andy—DeKooning—Diebenkorn
ALBERS GORKY POLLOCKS PAINT (TRUCKS) /
favorites
Van Dongen
Dufy
Motley
Arno
Demuth
DeKooning
Gorky
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Felt-tipped pen, pen, and maker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on artistic references.
Description
An account of the resource
This note from LeRoy Neiman provides an extensive but in no way complete list of artistic references for the artist. Although the document lacks consistency, there is a general, overarching logic to the catalogue. The list is roughly divided into four sections: (1) short fiction inspirations, (2) narrative, group paintings depicting labor and leisure, (3) a continuation of narrative works which bleeds into Abstract Expressionism, and (4) Neiman’s “favorites” in terms of artists. This document then not only illustrates the range and breadth of the artist’s own artistic influences but it also evinces the egalitarian, if not nondiscriminatory, attitude with which he approached and evaluated artwork more generally.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/142">LN_Notes_1595</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/173">LN_Notes_1875</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/224">LN_Notes_2314</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/140">LN_Notes_1593</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/63">LN_Notes_909</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/90">LN_Notes_1012</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/92">LN_Notes_1021_01; LN_Notes_1021_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/199">LN_Notes_2214_01; LN_Notes_2214_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/141">LN_Notes_1594</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/187"></a><a href="http://leroyneimanfoundation.omeka.net/items/show/37">LN_Notes_819_01; LN_Notes_819_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/216">LN_Notes_2302</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/163">LN_Notes_1776_01; LN_Notes_1776_02; LN_Notes_1776_03; LN_Notes_1776_04; LN_Notes_1776_05</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/151">LN_Notes_1764_01; LN_Notes_1764_02; LN_Notes_1764_03; LN_Notes_1764_04</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_986_01; LN_Notes_986_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
de Kooning
Delaunay
Document
Maupassant
Motley
Notes
Silverstein
Toulouse-Lautrec
van Dongen
-
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fe0fc979bb8ffbaf47409d9eab1d2bec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
CULTURATI
NITE CRAWLER
Dizzy’s wife Lorraine was a an Apollo chorus girl
I draw in paint
Never make drawings preparatory for paintings
Drawings are works in themselves
Capital Holland
Rotterdam hard drinking city, known for drunkenness
Reputation of fashionable city
Kees van Dongen born in Rotterdam in
When deKooning was [?] years old
Fauvism (flourished in) France 1898-1908, brilliant
Color, pure, straight from tube, aggressive, direct,
Create exploration of canvas, VIOLENT WILD beasts
Agitated—Cezanne with his vision and style; order and structure KOed its emotional turbulent Fauves in favor of the logic of cubism.
Dufy carefree ornamental bold
Mescaline Acid, Psychedelic drugs
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Marker and pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on artistic reference.
Description
An account of the resource
This note from LeRoy Neiman touches on a range of his artistic references. The writing opens with a nod to nightlife. Subsequently, Neiman speaks to his interest in Holland and modern Dutch painting. And, the note closes with a list of artistic movements to which the artist also looked. Inserted into this discussion of reference, Neiman provides an abbreviated discussion of the concept of “the study”. (Neiman writes, “I draw in paint / Never make drawings preparatory for paintings.”)
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_877
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Cezanne
de Kooning
Dizzy Gillespie
Document
Fauvism
Jazz
Notes
Style
van Dongen