1 10 2 https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/d89d40be6d8bfbae7fd216759ee80a41.jpg?Expires=1782950400&Signature=sd3fjUimFPqK46UJHAdHAjwsctuRC1cMweNIyEET4B6ZmuYkpXKLLfib2vEdt5Am0xCjWs67TwJvBkmFWyhIY2AXpYhAmoYLbPDHpxm80SJZUgMP915kbmq2pqfk9N7b6m6lDOcWKsKs66x17BycnHFrv9gECTpnyKNJis34ETY43vDD7yoFdONxKXfVvnuBw-2UyrsMRSGdEkFp7g4xLNJVVZ6djpxXgspF7WQdu6Bq8Msy-TM6dnxfHSJigUHk9TyHNqxN-4pFxS53Fz3vQcX98lUwsCapgyDY0WPW5LJzzIdnenmwrcKBsYYUHLRR0AymGjgMEzHe8oLDD5YR6A__&Key-Pair-Id=K6UGZS9ZTDSZM 077581a29a92de7f33b764d404b16395 https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/8dcd07fd40bc35df7ac6c7f9d5fe2fd7.jpg?Expires=1782950400&Signature=V0SjMwd7XMHaNPeV9Wg7NPtLyhu8lfBKbg%7E5N%7ELR9c16-OBgIBAR91SCUGlxM%7EZAGIhZgNHtYKzzxXNd4fvcnkrsRLo2XL71IRY5pgio6-D20ImdF5m8HoofwHKIw93nQZrNd3B0EEt%7E%7EImULFgqKIqzXrqdIjOchWzsojtTV9T2jvuACbdsPRK%7ExE3Z-MNwwJSqf5dxjgdmwSTt5jIYvNinybqkjogb6nBM3sSCCy9sXckLR5pjupIu4%7EsBPrySfJPxpqAmfrtJQ2wVfaTnEdIg8QIcaNkFPQkaX0IQkw7iqKJ9tEa%7Es6ToZtMj7GaffydnnIwHyb%7EKevawz1HUHw__&Key-Pair-Id=K6UGZS9ZTDSZM bd72d06b4f4755d650df98e5d80ed1cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document KURT VONNEGUT 1973 Breakfast of Champions (2) I took to the proposal remembering the Burger King project I did in conjunction with the 1976 Montreal Olympics. (AT THAT Time) I did a series of Olympic events like track and field, swimming, etc. (A rewarding experience because) 20 this day, I am approached in public and by mail by people 30 years and older who still have the images (which were) offered at giveaways, during the games (with purchase of Burger King hamburgers). Some (KIDS) kept them (RIGHT THROUGH) on to their (dorm) walls through college now have them in their rooms. Some (MOST just remember them as their introduction to art.) So a Wheaties campaign out of my old hometown (the twin cities General Mills towns neighborhood town) Minneapolis looked seemed (was) exactly The project went well, the (painting of the) likeness of the athletes (IN ACTION) were printed on the (orange Wheaties) boxes and distributed. A press conference was scheduled for the All-Star Café in Times Sq. but (Walter Payton?) a Chicago Bear running back (from the past) balked over some racial issue that ([]?) between he and the Company General Mills. The [?] was scratched (cancelled). The program was carried out but with much less(er) resulted than expected (The product got no promotion and fizzled out.) / show biz is show biz and the show must go on, but another show. (No questions asked) within hours Forum was in rehearsal and scheduled to open as a replacement It was fun and hard work. Too bad it turned out as it did. 1997 was that kind of year. (Fran and Barri Weisler) producers of an upcoming Broadway musical now in Busher Ally commissioned me to (do) a painting on the façade of the theatre to attract attention to the (which) was going in about a month. I got a gifted sign painter from who had proved himself doing among many other outstanding wall Joe [?] which were remarkable, if disgusting, depictions. Also serving as an assistant and talented Chinese painter from (Wan Lee) collaboratively we finished the wall in about some three weeks to meet the opening date. The out of nowhere star dancer Tony [?] breaks his ankle in a freak accident in . The play is cancelled. Unemotionally the wall is painted over to make room for the replacement mural. “On the way to the Forum” Done. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Felt-tipped pen, pen, and pencil on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on a selection of commercial partnerships. Description An account of the resource This note from LeRoy Neiman touches on a few commercial relationships the artist formed during his career. Presented in a somewhat narrative form, the artist describes moving from painting and sketching at the 1976 Montreal Olympics, under Burger King, to doing Wheaties boxes for the Minneapolis-based company General Mills. The last section, touches on the mural at the St. James Theater in New York Neiman was asked to do for the Broadway show, Busker Alley. (Unfortunately, the show was cancelled before its premier at the theater; Neiman’s mural was eventually painted over.) The note was most likely made in preparation for the artist’s memoir, All Told. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1872_01; LN_Notes_1872_02 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Art Burger King Busker Alley Commissions Document Notes Olympics TV Wheaties https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/b7015c8425203f76a20823dda48cdb45.jpg?Expires=1782950400&Signature=usVLmjAP2zr8hhjl-84G32qQrzsH3py9pRfwGxi4XZbRogzIulLTDvvHW7pXfj2tQtMf6Dwrjjzj3XC%7EKp-Gc-3g9EmC6ngEM3VaZ1H6Bn1FWhy3drBqbHDc%7EpcsFC16jkqYqH6AqdA67NBO9o8j%7EyEF0FVNoVtgaYIS3ulZ6DjNK0XZZ540inSPOb7eeNSC9uL1DMsxwG9Om5qArDnjFOlIdU6e6JyXNySnlpZ3L9xXjA8CzgQnYln72j-t9XNdAztSbUHXfjFYU%7Efe4xx2fZH9ghCRFaMDjRznYI4UkxDiND1kx2U34iNeghbRnegSv47Plw0lRi-itsdf1q4uNA__&Key-Pair-Id=K6UGZS9ZTDSZM a872e51969bebb641a3006c18972507f https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/f287b9434805e7b3430ab38adb9da91a.jpg?Expires=1782950400&Signature=cmFPL94ReDGBDLGAsEK503JfvDbbrpLJbsV6RE8EE0bqZ9siR93JkdsT3Se1wHgQDiEgTjU0g2Lhky9d57XbAhYEGhREvLw8STlypwquhfEmCZyuz0p6bCvtXrv-YxFPn-iZUIe0dRXqRFZTFgCrAX3GpryeR3m7Rvz3hFTX3wH2d4lAiMbSr86Iy46ZOJeLkth8b-nFYKI1jTCTaNeZYNuyjxDrWIdCkR0XcNvjs3PkpShtHug2-PMECjmbWlrQChXOIFL2IqRB6Y0-dtaoqdx5hH9r4Xx8Rg7SVRC07IVrFlYKRoAHMU3bFnasCG25ulV%7EjAN-Kq61k3AJH3q0tg__&Key-Pair-Id=K6UGZS9ZTDSZM 19944a2ca0e573fdccea4072eb9d0d02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document (1) Wheaties were introduced (in Mpls) in 1923 and have been known to me my entire life so when General Mills called in 1994 that they wanted to use my art me are on Wheaties responded positively. The concept was to do 6 superstar football players one on each package with a print to go (of all) with (of all the image offered by a coupon on the back of) each sale (BOX) purchased. / (4) Kurt Vonnegut in 1973 wrote (a novel) called Breakfast of Champions (1) There were touchstones galore. (2) Jack Armstrong the all American boy on radio in the 20s (I fondly remember) (5) The orange box is still the same color today (3) Not to mention the hundreds of breakfasts oat mother’s kitchen table before school (6) all my images were done on that same orange field Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Felt-tipped pen and pencil on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on his relationship with Wheaties. Description An account of the resource This note from LeRoy Neiman touches on his personal relationship with, and the cultural relevance of, Wheaties cereal boxes. Neiman did illustrations for a number boxes, including ones featuring Roger Staubach and Walter Payton. More context for this commercial relationship can be found <a href="http://leroyneimanfoundation.omeka.net/items/show/172">here</a>. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/172">LN_Notes_1872_01,LN_Notes_1872_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/147">LN_Notes_1673_01,LN_Notes_1673_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/149">LN_Notes_1677</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/145">LN_Notes_1658</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/148">LN_Notes_1674</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/146">LN_Notes_1667</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/144">LN_Notes_1655</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/206">LN_Notes_2250</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/180">LN_Notes_1995</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/73">LN_Notes_923_01,LN_Notes_923_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/71">LN_Notes_919_01,LN_Notes_919_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/150">LN_Notes_1702,LN_Notes_1703</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/230">LN_Notes_2436_01, LN_Notes_2436_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/176">LN_Notes_1903_01, LN_Notes_1903_02</a> Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1871_01; LN_Notes_1871_02 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Art Childhood Commissions Document Notes Wheaties