Browse Items (15 total)

This note was of a few from LeRoy Neiman made in preparation for his prospective mural at the St. James Theatre. The venue, which was set to host Busker Alley, invited the artist to paint the facade of the building in lieu of a billboard. That said,…

This note was of a few from LeRoy Neiman made in preparation for his prospective mural at the St. James Theatre. The venue, which was set to host Busker Alley, invited the artist to paint the facade of the building in lieu of a billboard. That said,…

This note from LeRoy Neiman looks at “Moresque Ornamentation,” specifically that of the Alhambra. Overall, the record seems to engage ideas of cultural synchronism, discussions of symbolism, and more concrete notions of color and infrastructure. But…

This note from LeRoy Neiman provides an anecdotal account of the artist's reference to Pope John Paul II. Neiman spotted the Pope after returning to New York from a film shoot in the Riviera in 1981. Internalizing this encounter, the artist included…

This pass for the Can-Am 1970 auto race at Circuit Mont-Tremblant / Saint Jovite in Quebec, Canada, granted LeRoy Neiman photojournalistic privileges. Mont-Tremblant and Saint Jovite, were towns in Quebec, Canada, amalgamated as Mont-Tremblant in…