This note from LeRoy Neiman looks at art’s social role, broadly. In the document, he outlines three divisions “period,” “nation,” and “individual,” asserting a convalesce between these three “forms” and a aesthetic relation, or function. Beyond this…
This note from LeRoy Neiman provides a list of adjectives and characterizations, including, “topsy-turvy,” “filtration-friendliness,” “fun-loving,” and “day and nite carnival affair”. Given the document’s relation to another record, these attributes…
This note from Leroy Neiman builds on a previous remark the artist made about William Hogarth. The front side of the envelope, on which Neiman's comment was written, provides a list of Hogarth’s works the artist took particular interest in, including…