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                  <text>LeRoy Neiman, Notes on Art </text>
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                  <text>This collection features LeRoy Neiman’s notes on art. </text>
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                  <text>LeRoy Neiman</text>
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                  <text>Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.</text>
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                  <text>LeRoy Neiman Foundation</text>
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                  <text>c. 1980-2011</text>
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                  <text>LeRoy Neiman </text>
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                  <text>Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.</text>
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                  <text>LeRoy Neiman's personal notes</text>
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                  <text>New York (N.Y.) New York</text>
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                  <text>LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. &lt;br /&gt;&lt;br /&gt;The majority of these documents were made in preparation for the artist’s memoir, &lt;em&gt;All Told&lt;/em&gt;.</text>
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              <text>[m. WHISTLER James Abbot Mc Neil (1834-1903) / There are the Whistlerian and the Sargent’s camps. Full-length portraits, brilliant etchings and lithographs. Fascinated with the influenced by [Japanese] art. Believing in the “correspondences” between the arts, he associated with poets Baudelaire and T. Gautier and with the painter Rossetti. In 1877 he brought a libel suit against John Ruskin, won the case but received minimal damages. Bankrupt, he was forced to leave England and stayed in Venice, painting pastels, watercolors and etchings. Influenced by Corot. / n. PELLIGRINI Carlo (1839-1889) / Caricaturist notable for his gently humorous portraits of prominent Englishmen which he signed with the pseudonym “Ape”. / o. PRENDERGAST Maurice (1859-1924) / Watercolorist who used broad Postimpressionist areas of color. His 1899 “Square of San Marco” has three similar [triumphal] Italian flags on the masts and a crimson Venetian [flag] emblazoned with the winged lion affixed on the far left balcony of the church. Influenced by Vuillard, Cezanne, and pointillism. Mosaic-like effects. / p. KOKOSHKA Oskar (1886-1980) / One of the leading exponents of Expressionism. No hair on the white wrists. Nose to painting, then back off you go from pure paint to a painting. Preoccupation with the character of the subjects. He expressed it through color. Gallery lecture on Monet at Minneapolis Institute of Art. / 3 Melville wrote of Austrian flags flying in 1857: an “[heraldic] display”.]&#13;
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                <text>Note on Art </text>
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                <text>A personal note from LeRoy Neiman on art.</text>
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                <text>A personal note from LeRoy Neiman on a selection of artistic references, specifically painters.</text>
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                <text>LeRoy Neiman Foundation</text>
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