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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
[9/ THE SPECTATOR LOOKING AT A PAINTING OF MINE MUST ALWAYS DEAL WITH AN ORCHESTRATION OF BROKEN COLORS. MY PAINTINGS ARE A CHOAS OF COLORS, AND INTERMINGLING OF COLORS, MY COLORS HAVE BEEN CALLED BY MY DETRACTORS PAW, BRASSY, LOUD—NOISY. THAT THEY OFTENTIMES ARE, AS THEY SLANT, HALT, SPIRAL, JUMP, AND HIGHLIGHT. / THEY ARE USED AS EYE-LURE AND TO DELINEATE – THE SAME PATCH OF COLOR IN ONE CASE WILL IDENTIFY AND IN OTHER WILL MERELY FORM ATMOSPHERE. THEIR APPLICATION IS VERY DIRECT AND HIGH KEY, AND THE COLORS MERGE OR OVERLAP AT DIFFERENT DISTANCES INTO REALITY. / RECOGNITION OF KEY ELEMENTS IN MY PAINTINGS IS SOMETIMES DIFFICULT BECAUSE OF A CERTAIN INTENTIONAL LACK OF CLEARNESS. SOME IMPORTANT ELEMENTS ARE FREQUENTLY REPRESSED AND LESSER ONES OFTEN STRESSED, IN ORDER TO BRING OUT THE MAIN INGREDIENTS IN A[N] OBSCURE WAY. THE IDEA IS NOT TO BE VAUGE, BUT TO MAKE CLARITY LOOK AS IF IT JUST HAPPENED. AN AVERTED OR SHADOWED FACE OR PERHAPS AN UNSEEN HAND BEHIND THE BACK MAY CONTAIN A CENTRAL EXPRESSION OR GESTURE. / I SEEK TO MAKE THE TASK OF THE SPECTATOR INCREASINGLY DIFFICULT. I SET TRAPS FOR HIM. MODELING TAKES PLACE WHERE EMPHASIS DOES NOT LIE: ACCENTS ARE SUBORDINATED; FOREGROUND AND BACKGROUND MERGE TURBULENTLY. AS ONE ADVANCES ON MY PAINTINGS, THEY BECOME MORE ABSTRACT, MORE FLUID. AS ONE MOVES AWAY, THEY FALL INTO FOCUS AND REVEAL ANOTHER ASPECT OF REALITY. THE SPECTATOR DISCOVERS NEW SUBSTANCES]
AND HAS A PROLONGED CONTACT. /
[10 / AT NO TWO DISTANCES WILL THE PAINTINGS APPEAR THE SAME. THIS GIVES THE VIEWER MORE ROOM FOR CONJECTURE, AND HIS CONTRIBUTION TO THE VISUAL IMAGE, UPON CONTEMPLATION, ADD TO ITS PROVOCATIVE SCHEME. THERE IS A MESSAGE HERE: TODAY’S MAN ACCEPTS MANY CASUAL OBSERVATION]S [AT FACE VALUE, BUT OFTEN THE TRUTH ESCAPES HIM IF HE DOESN’T TAKE THE TIME TO LOOK LONGER AND HARDER. I NEVER LOSE SIGHT OF THE PERIPHERAL AND BEYOND. / YOU MAY HAVE PICKED UP ON MY, AT TIMES, USING THE TERM SPECTATOR RATHER THAN VIEWER IN REFERRING TO THE CONFRONTING MY WORK. I HAVE A HUNCH THEY GET THE FEELING THEY ARE IN SOME SPECIAL EVENT WHEN THEY STOP IN FRONT OF A PAINTING OF MINE. / THE ARTIST, LIKE THE PEASANT OR CHILD, MUST SEE UP CLOSE, INDEED HE MUST SEE OT BELIEVE. IN MY PAINTINGS I CONCENTRATE ON THE EXTERIOR. IN STRESSING THE SURFACE I BELIEVE I CAN REVEAL WHAT IS UNDER THE SURFACE BY WHAT I DEVELOP ON MY SURFACE. I FOCUS ON THE OUTSIDE, ON THE LOOK WHICH CAN BE CALLED SUPERFICIAL. MY TREATMENT IS CURSORY, WITH DETAILS ONLY HALF-SAID, REVEALING MYSELF MORE THAN THE SUBJECT. I DO NOT OVERSUPPLY INFORMATION BUT I DO PRESENT IT EXTRAVAGANTLY.]
TOLSTOY – TO Be a work of art it must be understood by the peasant /
11
[MY PAINTINGS ARE CHARGED WITH A SIMPLICITY AND FREEDOM. I USE RAPIDITY IN MY DESCRIPTIONS OF PEOPLE AND EVENTS, TO CATCH THE MOVEMENTS AND MOODS. MY PERFORMANCE REQUIRES DEXTERITY, VIRTUOSITY, SPEED; THE POWER OF SUGGESTION, THE HALF-REVEALED, FULLY REALIZED ALL THE WHILE ONE MAY PAY A PRICE FOR CAPTURING THE FLEETING MOMENT: SHORT-LIVED PICTURES, A RISK WELL WORK TAKING. / IMMEDIACY, IN SHORT, IS EVERYTHING TO ME: THE CLOSE-UP EXPRESSIONS AND EMOTIONS AND ATTITUDES – THE STRAINS, THE GRUNTS, THE PHYSICALITY OF SPORT – THAT ALL IS MY NATURAL PRESERVE. I LOVE FEATURING THIS SORT OF STUFF IN MY WORKING SPACE. A SPACE IN WHICH THE SUBJECT CAN LIVE. I RECONSTRUCT THE VISUAL WORLD. IT IS MY PICTORIALITY. / THE VALIDITY OF REALISM IS THAT THE WORLD LOOKS DIFFERENT ALL THE TIME. EACH TIME REALISM REAPPEARS THROUGHOUT ART HISTORY, THINGS HAVE CHANGED TO THE EYE AND TO THE HIM. YOU SIMPLY DON’T APINT FAMILIAR OBJECTS AND ALWAYS RECORD THEM THE SAME THINGS] THE SAME WAY. [CHANGES OCCUR IN THE OBJECTS, AND IN THE ART FORM AS WELL. I THINK OF A SPORT TEN YEARS AGO WHICH PUZZLED EVERYBODY. TODAY IT IS A NORMAL PART OF OUR SEASIDE LIFE CALLED WIND SURFING OR SAIL BOARDING.] /
5
[AS AN ARTIST THIS MEANS TO ME THAT THE VIEWER MUST COME FIRST. THE AUDIENCE, TODAY ENLIGHTENED AND FAIR MINDED, IS THE PRIMARY CONCERN. / AN ARTIST IS A GARDENER, NOT A MINER HIS OR HER ROLE IS TO CULTIVATE. / A GOOD ARTIST IS AN INNOVATOR, NOT A CURATOR. A SUCCESSFUL ARTIST MUST BE IN PROCESS. HE CANNOT STOP AT ONE STAGE AND REMAIN FROZEN IN IT. HE MUST NOT EMBALM HIS WORK. / A BUSINESSMAN WILL OBSERVE: “IF I DON’T DO IT FIRST, SOMEONE ELES WLL.” AND ARTIST WILL OBSERVE: “IF I DON’T DO IT, NO ONE ELSE WILL.” / I OFTEN SAY THAT THE WAY WE JUDGE THE QUALITY OF AN ARTIST’S VISION IS THE DEGREE TO WHICH OUR VISION IS ALTERED BY HIS OR HER WORK. / WHAT THE VIEWER HAS TAKEN FOR GRANTED ALL ALONG, TO THE ARTIST, MAY BE A DISCOVERY. / PAINTING ATTRACTS ADMIRATION OF THINGS WHICH IN THEIR ORIGINAL STATE WE MIGHT NOT ADMIRE. / THE ARTIST DEMANDS RESPECT FOR THIS WORK OFTEN DONE UNDER LESS THAN IDEAL CIRCUMSTANCES.]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil and marker on typewritten text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his art.
Description
An account of the resource
This note, expanding on LeRoy Neiman's impression of spectatorship, sports art, and artistic process, is most likely a draft of the artist's catalogue essay for his monograph <em>Winners: My Thrity Years in Sports</em> published in 1983. The text seems ot build on another note Neiman entitled "Winning," fleshing out some of the this document's maxiums and tempering the poetic tone.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-83
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/18">LN_Notes_394</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_403_01; LN_Notes_403_02; LN_Notes_403_03; LN_Notes_403_04
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Document
Notes
-
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615926af85de27833ab10c293e6c3f97
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
The evaluations, early, that were made about my work were perpetuated by the next (following) generations. These and have been (maintained) held by critics who have never attended an exhibition of mine, so there has been very little chance that for the original concept to be altered changed. Where I (eventually) went wrong is that I never tried to shape up to their positions confirmed opinions. Being labeled unacceptable by new critics echoing what was (said) originally said
This is a response from (a hand of) 85 years old hand
Having taken a (successful) ride being popular and making millions, I have turned in on their positions by paying heed to the writings about other canonized artists and they are unanimous in their unalterable praise.
I have made millions along with my representative and have scolded their canonized artists and their supporters. Why [is] the popular artist tis attacked for making
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Blue felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on his critical reception.
Description
An account of the resource
This note from LeRoy Neiman looks at his critical reception. The writing is one of many touching on this topic. That said, within this particular document, Neiman points to maybe an alternative perspective gained with age. This document also, unlike most others, emphasizes his commercial success.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_823
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Critic
Document
Notes
-
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a7594f10a4fa5f7098b59b916647f360
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
I penetrate in the subject observed from whatever distance (PANORAMIC)—6 ft.—10 yards—shoulder to shoulder—external.
How dressed, presented—movement, of a persona how they stand, sit or walk. Mannerisms, gestures, expression, attitudes, pretentions.
It can be a slant, an angle. A glimpse, prolonged external, all revealing (carriage) aspects of the inner person
Something it is necessary to stick one’s neck out rather than to embrace security
The art game looks for the new. So if that is the artist’s (creator’s) vent there is a receptive target. I prefer the familiar. I work every day seeking excellence, development, self-expression. If I have not drawn for several days, I get off center and try to regain the rhythm.
Sometimes (through persistence too much) I go stale and cannot get excited enough to work. At this point I do not wait for the mood. I just tie into doing it. I can capitalize on accidents and mistakes, but seek or defend them.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on portraiture and his artistic process.
Description
An account of the resource
This note from LeRoy Neiman reveals the artist’s thoughts on portraiture and his artistic process, more generally. The first section of the writing speaks to Neiman’s method of assessing a subject. (e.g. He writes, “I penetrate in in the subject observed from whatever distance.”) The majority of this analysis constitutes a discussion of physiognomy. The second section speaks to the kind of “everyday” aspects of Neiman’s work. Not only does the artist emphasize the literal everyday character of his practice (i.e. he makes work, largely, everyday) but it also more tacitly underlines his interest in the ordinary.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_829
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Process
Document
Notes
Style
-
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374b80e5b814d074bc0d79f6a888510e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Big-Time Action
Shimmy bet vary – low $5 to $50,000 or more
Kidney shaped table – green baize
Croupier, who handles the dealt cards, sits or stands in the concavity of the
Two coupiers sit opposite him
A lookout
BACCARAT VEGAS STYLE or Cuban style
Baccarat get more action than Shimmy.
The house banks the game. ONE LONE PLAYER CAN PLAY
Best from $5 to $2,000 – 2,500 – 5,000 – 10,000
Two betting spaces at each end of the table
One marked Bank – the other PLAYERS
Players seat number
Several shills are used at Baccarat tables to stimulate action
The casinos edge in Baccarat will eventually get al the money in sight.
Well heeled, high rolling better and plenty of action. The casinos edge which it enjoys over the player will eventually earn all the money it needs
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Permanent marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on artistic reference, specifically baccarat.
Description
An account of the resource
<p class="p1">This note from LeRoy Neiman gives a kind of narrative account of baccarat. Neiman made a series of works—including <i>Desert Inn Baccarat </i>and <i>Baccarat,</i> paintings both made in the early 1990s and widely distributed as posters and prints—depicting the subject. The note was most likely made in preparation for the artist’s memoir, <i>All Told.<span class="Apple-converted-space"> </span></i></p>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/142">LN_Notes_1595</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/173">LN_Notes_1875</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/224">LN_Notes_2314</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/140">LN_Notes_1593</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/63">LN_Notes_909</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/90">LN_Notes_1012</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/92">LN_Notes_1021_01; LN_Notes_1021_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/199">LN_Notes_2214_01; LN_Notes_2214_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/80">LN_Notes_986_01; LN_Notes_986_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/37">LN_Notes_819_01; LN_Notes_819_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/216">LN_Notes_2302</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/163">LN_Notes_1776_01; LN_Notes_1776_02; LN_Notes_1776_03; LN_Notes_1776_04; LN_Notes_1776_05</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/151">LN_Notes_1764_01; LN_Notes_1764_02; LN_Notes_1764_03; LN_Notes_1764_04</a><br /><br /><br /><br /><br />
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1594
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Baccarat
Document
Gambling
Las Vegas
Notes
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753b385400830809a00a2cd24eb0e15b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
CENTRAL PARK - THE PEOPLE'S PARK
[Central Park is a landmark and a major urban institution. A completely man-made landscape under the direction of Frederick Law [Olmsted] and his partner Calvert Vaux. / The one formal element -- the centerpiece -- the epicenter in Central Park is Bethesda Terrace... the heart of Central Park since 1861. / An open air reception hall that served as my outdoor studio just a few steps from my indoor atelier. / Stonework, emblematic and ornamental carvings, friezes and medallions, allegorical scenes of day and night at the entrance. / Deep reliefs depicting animals, birdlife and vegetation of the four seasons flank the stairs leading down to the terrace. / Ornamental capstones on pedestals... Gothic sense of detail mirrors and the surrounding microcosm. / Elegance and charm.] grandeur, magnificence / [The terrace is the architectural heart of the Park. [Olmsted] and Vaux described Bethesda Terrace as an "open-air reception hall... with the same position of relative importance that a mansion should occupy" in a private estate. Referred to Central Park as a bit of country in the city. The Terrace as well a bit of architecture in the country /] Park Pedestal Sculpture / Poets, Composers, writers / VERDI - DANTE Sq. / Shakespeare-Shelley, Beethoven, sculpture on ped. / "The artist on Pedestal" / FOUNTAIN / NO PAINTERS - SCULPTURES Represented by sculpture
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Wordprocessed with pencil and felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Notes on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on Central Park.
Description
An account of the resource
This note from LeRoy Neiman gives an overview of Central Park, in particular Bethesda Terrace. Neiman made multiple works depicting the location, including a print and poster which was widely distributed. The note is one of a series the artist wrote on parks.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 2007-11
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/152">LN_Notes_1765</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/157">LN_Notes_1770</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/158">LN_Notes_1771</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/156">LN_Notes_1769</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/155">LN_Notes_1768_01, LN_Notes_1768_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/154">LN_Notes_1767</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1766
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art References
Document
New York
Notes
Parks
-
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7500f5b71b4e1565970e577f07efd492
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
[Page 7 / Winning / Artists Art / ]
in the beginning [To offer the artist more than he asks is to refuse him the only help he needs / Momentary gain]
LACONIC (RAPIDITY ENABLES ARTIST TO CATCH MOODS AND MOVEMENT – DEXTERITY REQUIRED[,] SWIFT BRUSH STROKES – Power of suggestion)
[Short lividness could well be the price one pays for the art of capturing the fleeting moment / paint top and bottom of society / The aorta of the art… the valentine… attend ot the oracle in one’s chest. / SEASONS / I paint the sport of the season much like the Japanese artist of yesterday would never paint a flower our of season or a Spring landscape in Autumn the fitness of things insensibly influences him. From anciet times certain principals have determined his choice of subjects, according to the period of the year like festivals, ceremonies, entertainments and other events]
weather, flowers of the season.
[ART ]
VIEWER
[One of the ways we judge the quality of an artists vision is the the degree to which our own vision is altered by his work. / Art is less important than life… but what would life be without art? / Art is the most profound and ultimately the most sacred form of freedom of expression we have. Within its’ depths and it’s mysteries is the source of new ways of looking at the world and ourselves.]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil and marker on typewritten text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his artistic process.
Description
An account of the resource
This note, with its poetic verse and range of refererences detailing LeRoy Neiman's interest in sports art, audience, and variable brushstrokes, is most likely an intital draft of the artist's catalogue essay for his monograph <em>Winners: My Thrity Years in Sports </em>published in 1983. Athough it is not certain this was the original function of the document, the subject matter and title "Winning" suggest so. In addition, the note was typed, indicating the record's intended purpose was professional. (Neiman wrote most of his personal notes by hand.) An interpolative edit from Lynn Quayle, the artist's longtime assistant, further validates this claim.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-83
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman, Lynn Quayle
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_394
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Being a Sports Artist
Document
Japan
Landscapes
Notes
Sketching
Sports
-
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912c8955f5389878ae3f41ea9505838b
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e25b18b8e0b86f3aeaf02fa2df269e22
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Painting toenails and drawing tattoos on recycled paper with soy-based inks
Jennie Augusta Brownscombe
Armenia 1850-1936
Thanksgiving Plymouth /
[The Club / of the / Boca Raton Resort and Club / cordially invites you / to / explore the privileges of / Premier Membership / Please contact Daniel R. Wielhouwer / at the Cloister, Ext. 3100]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ballpoint pen and marker on invitation card from Boca Raton Resort and Club.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This personal note from LeRoy Neiman lists a range of the artist's references, including Armenian artist Jennie Augusta Brownscombe's <em>Thanksgiving at Plymouth</em> (1925)<em>. </em>That said, it is unclear what Neiman is pointing to with the phrase, "Painting toenails and drawing tatoos on recycled paper with soy-based inks." The note was written on the reverse of a card the artist received from Boca Raton Resort and Club, notifying him of his premier status. This ambiguous remark could then reference guest or celebrity Neiman observed during his stay.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2000
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_416_01; LN_Notes_416_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Document
Notes
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Grand Marshall
Drake Relays with Jessie Owens
ST. Paul Winter Carnival
Miami Grand Prix
Honorary Doctorate
Pierce College
St. Johns U.
Iona College
Honored ST. Francisco U
presented winners cap in winners circle at Belmont.
Had race named after me at Sportsmans (bat) and Saratoga [?] Tracks
FIRST ONE-MAN SHOW[,] LINCOLN COLLEGE, LINCOLN, ILL.
Honorary Doctorate cancelled at ST Thomas U. in ST Paul
Sketch Les Halles – Food – prostitutes
French Still life – Roland Garos
Horse racing started at Sportsmans (the Hawthorn)_
Cicero—Washington Park—Arlington-----
LATER DID MURALS AT SPORTSMANS FOR STORMY BIDWELL
Boxing Gyms – Midwest Gym, Johnny Coulons.
satterfield (artist – art Institute) Sugar Ray Robinson
Bratton
Richard Olagedey
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil and marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This note, an abridged collection of LeRoy Neiman's awards, artworks, and commissions (sports-related and otherwise), is most likely draft of the artist's CV. (The document could also be initial notes for Neiman's memoir, <em>All Told.</em>) Among the items listed are Belmont Stakes, French still-lives, a selection of recieved honorary doctorates, attended auto races, and the Saint Paul Winter Carnival.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_442
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Document
Honorary Doctorate
Notes
Sports
-
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9253858280c41ba3ba736ddf32abe25e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Irving Pelt bought “Introducing Champions in Madison Square Garden” then discovered I had mobster Frankie Carbo sitting ringside. I took his signature hat off[,] made one stroke of color on the face 11/2 inches high and it became Mayor Wagner.
Darreyl Zanack died before seeing the final result of a painting of him playing Polo I was commissioned to do. by him. so I changed him to Prince Philly.
I changed Paldo into Nichlaus, Nichlaus back to Paldo
Had a sketch of pitcher Jessie Orosco which I transferred (directly) to an etching plate—pulled it. (The imprint) only one. It didn’t look right.
Six months later I was commissioned to do a watercolor of Jessie which I did using an etching as my guide. I showed it on T.V. at home plate at the presentation ceremonies as he was [?] rightly rallier than Southpaw. Jessie broke up. I was embarrassed. Ralph Rainer referred [to] the error several times, during the game’s telecast—good natured, of course
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This personal note from LeRoy Neiman expands on the anecdotal histories behind a range of commissions, including New York businessman Irving Felt purchasing a work of Madison Square Garden featuring mobster Frankie Carbo, Hollywood kingpin Darryl Zanuck's ill-timed death, and a portrait of former pitcher Jesse Orosco.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_443
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Commissions
Irving Pelt
Jessie Owens
Madison Square Garden
Notes
Sports
-
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bbd7f5b666ca3692f611e5744ab0c2dc
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fa4b9046ec0f3ab023796806dd7c524e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Red Skeleton
Red Clown Painter
Oklahoma City
Ali’s paintings
paint with Ali
I flew from Palm Springs (Dallas?) to O.K. Oklahoma City on a private wing [?] jet and with Red Skeleton, and he did 2 hours nonstop as he always does in performance
We sketched each other at high altitude and I realized why he has done hundreds of self-portraits (more than Rembrandt), because he is so distinctively easy to catch—an irresistible subject
Red and his wife Lothian did not like the sketch I did months ago, but really liked the one I did on the flight. There is a humanness [that comes from drawing] live that is absent [when] drawing from photos
I put on Clark Gable hat from GWTW and Wayne Newton ranch in Nevada. He convincingly said how great I looked and after [?] on being photographed feeling just like Clark and went to a mirror and was shocked to see myself and not Gable. /
His jokes – always leave last on a plane so people watching will think he’s flown first class.
Spray graffiti artists with paints – face and all
Herb Gruder restaurant “Al Shouts” The bar and dining room covered with my paintings and drawings. I always was a guest dining there. One nite a big water bug lumbered up the wall behind our baguette. I slowly took off [my] shoe and smashed it. Herb said that thanks.
When the place shuttered Herb made off with the artwork. One great one, Mickey Mantle switcher
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, pen, and oil stick on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This personal note from LeRoy Neiman provides an anecdotal account of the artist's trip from Palm Springs to Oklahoma City via private jet with comedian Red Skeleton, during which the artist completed a series of drawings featuring the entertainer. On reverse, Neiman detailed his relationship with restaurant proprietor Herb Gruder. Both commentaries were most likely written in preparation of the artist's memoir, <em>All Told. </em>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_444_01; LN_Notes_444_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Celebrity
Clark Gable
Document
Herb Gruder
Notes
Red Skelton
Sketching