1
10
12
-
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d748ea155b60bbcbf3227b7028c0556e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
(3) […]
Cut Playboy out every where […]
Do we have Miles Drawing?
Last conti drawing out
(no pissed off second time angered better or - nonplused)
Do not mention Pres. name second time
second time
Playboy story both pages OK. (OK)
(showcase?)
Janet says LeRoy talking head too much
like some voice over images. I do not
feel so. We’ll talk. /
[…]
and still life line drawing
story about LOUIS in Indy
a little satch
[…]
NIXON
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Permanent marker with pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman detailing plates for his memoir, <em>All Told.</em>
Description
An account of the resource
This note from LeRoy Neiman was made in preparation for his memoir, <em>All Told</em>. Although the document's content ranges from <em>Playboy</em> magazine to Dizzy Gillespie and US presidents, the bullet points are most likely suggestions of book plates for chapters on his early adulthood in Chicago. The lines stricken through are then most likely photographs found. At the bottom of the page is an obscure comment: “Janet says LeRoy talking head too much[,] like some voice over images. I don’t feel so. Well talk.” The implication of “talking head” is unclear. The phrase “lik[ing] voice over images” is also unclear. And, the identity of “we” is ambiguous. LeRoy also seems to refer to himself in the third person in this passage. Given the context, the comment was most likely related to the book's editing process, but the confusions of subject, dialogue, and direct objects complicate the reading.
On this document’s reverse is an illustration Neiman made of former president Richard Nixon blowing hot air. The drawing feels somewhat out of place, anachronistic, given the fact that Neiman was in Chicago in the 1950s and the note itself was written between 1990-2011. The president’s term lasted from 1969 to 1974.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2216_01; LN_Notes_2216_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Document
Jazz
Louis Armstrong
Miles Davis
Notes
Playboy
-
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b3daee5349ed0f8af7a573a7c4b218e8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
EXCORIATED
Belittled by intellectuals and musicologists
To say Neiman’s work was not appreciated is to [?] the obvious who scorn as and worse hoping
I would go away
Bessie Smith
Musicians were sticking their heads out windows to catch colds to sing and sound like Satchmo
why fore ask you this
Contraband art
I’ve had my pictures put people into a trance
A justly obscure artist
sunshine baby.
I was building a reputation with nurturing
trumpet and coronet
Louis – international celebrity, and
ambassador of Jazz and goodwill
or media star folk hero – plus
most INNOVATED FORCE IN JAZZ HISTORY ‘
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Permanent marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on critical reception as well as his interest in jazz musicians Bessie Smith and Louis Armstrong.
Description
An account of the resource
The note from LeRoy Neiman contains multiple commentaries, including one on his critical reception and another on Louis Armstrong. The former is one of many illustrating Neiman’s indignation over his exclusion from the “art world". The latter provides a general look at Armstrong, his celebrity, and pop culture anecdotes. Webbing these distinct sections, are some general comments about criticism and popularity detached from explicit subject or person. The proximity of these three accounts invites conflation. But, it is a probably more reasonable to assume Neiman is thinking about artistic merit and celebrity culture more generally, abstractly weaving disparate experiences.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 2000-11
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2215
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Critic
Document
Jazz
Louis Armstrong
Notes
-
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6f354c43892d3b9f59388d721b07be13
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
1966 Huey Newton panther’s Bobby Seal
Eldridge Cleaver Hoogy-
1967 Twiggy the emaciated look
Rolling Stone Mag.
68 King Animated
69 Oh Calcutta
Woodstock
Penthouse
70 Monday nite football
71 Louis Armstrong dies
72 Olympic [?] Korbut
73 KURT Vonnegut JR
“Breakfast of Champions”
I’ve watched a lot of enduring born
I wasn’t the Kind of Baby Child you wanted to pick up and hug or Child you wanted to protect or whose favor you wanted to gain by being physically close to these power people at play. than I would not be a close to them (TO STUDY) were they at work and unavailable at home. /
all the while, world society shaking events were taking place I was traipsing around the continent studying the social scene which never seems seemed to come to a halt (or even slow down) in the parts of the world where countries (were not) playing host to the tragic events of the day.
Where the Big LEADERS, and behind the scenes decision makers taking their break to play. there is a lot to reveal where they come from (IN EVER RESPECT) by their (mannerisms/behavior) on the pleasure seeking playground scene
Ever conscious morality aware (ex-patriots) like Baldwin were even more intense about happenings in the states (IN THEIR ABSENCES) as were the (conspicuous) politicians (CORPORATE) industrialists, etc. who in today’s world of immediate communications (STAY) abreast wherever they are. I felt in many ways closer (to MAJOR) problems that effect every human
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pen, pencil, and felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Notes on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on the 1960s and 70s.
Description
An account of the resource
<p class="p1">This note from LeRoy Neiman provides a selection of critical events and persons from the mid-1960s through early 1970s. In addition to this list, the artist has provided a personal commentary, communicating his distance to these very topics. Neiman traveled often for his <i>Playboy </i>column, “Man at His Leisure” (MAHL), through this period. The column, starting in 1958, ran 15 years.<span class="Apple-converted-space"> The note was most likely made in preparation for the artist's memoir, <em>All Told. </em><em><br /></em></span></p>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1869_01; LN_Notes_1869_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Document
Football
Jazz
Louis Armstrong
Notes
Sports
-
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8a437aa9ed9f470c9b75daf1b45434c6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
[8. JAZZ / Jazz at Gracey Mansion - White House. / Blacks - Pearl Baily, Ella Fizgerald, Dianna Ross, Lady Day. / Mulligan - story at Hammer / 8A. JAMES BROWN AT THE APOLLO / 1965? A black girl called Gina who had just been crowned Bunny of the year a few days before took me backstage to meet James Brown. No entertainer, barring Sammy Davis, was hotter at the time. He was so delighted to see a mixed couple in Harlem. Brother and sister. I sketched him as a package of energy ready to explode at the sound of musical note at his mirror with his range of tan cosmetics arrange in front of him. / 8B. LOUIS ARMSTRONG / I sketched Satchmo perfroming at C.B.S. in Chicago, in New York, Chez Paree in Chicago, a l'Olympia in Paris and at Indianapolis doing a gig at a party. He came to my exhibition at Hammer. Met my mother, bought a painting (1st time with a black man = My mother's comment after photo). After Louie purchased (One Mulligan is enough).] said Satchmo [/ 8C. DUKE ELLINGTON / Jazz royalty: Duke - King - Count (also Cannonball, Satchmo, Cab, Bird, Diz). I sketched Duke with Satchmo at a jazz session. They did not talk. Near end of Satchmo's life. They were very different people. Duke's Quote: "Life is the process of becoming more of what you already are". Painting of Duke for George Wein; Satchmo silkscreen, Jazz Festival Poster. / 8D. NAT' KING' COLE / In his full length robe at "chez Paris" in his dressing room in Chicago in 1955, with cigarette holder - listening to Cubs game on the radio, said: 'I feel elegant'. Drawing [Playboy], owned Arnold Morton. T.V. Set. / 8E. MAX ROACH & MILES DAVIS / Sketched Max in Chicago. We talked 35 years later. He looked the same. He was ageless as Billy Taylor was. Sammy was worn out at the end but looked the same. Bobby Short - .] /
[Miles fights fan at Garden. He punched P.R. guy out at Chicago Stadium during the Playboy Jazz Concert. I had seen a lot of people at this Stadium with Bob Satterfield, Sugar Roy Robinson, etc. so this was another knockout at the Stadium this time with Miles Davis. As he went around the Playboy Jazz Concert, he stuck his tongue out at people did not like. Also during this Concert, Duke Hazlitt - Sinatra's imitator - came down the Isle introduced by Vic Lownes as Frank and he brought the house down as he sang and no one could tell the difference. / We were discussion whose band was best, [Ellington's] or Basie's, so for the hell of it we went to Duke's dressing room (he had his silk stocking cap on) before getting into his tux and asked whose orchestra was the top of the Big Bands. / 8F. BILLY [HOLIDAY] / Poster of [Billy Holiday], also called "Lady Day". / 9. ILL PEOPLE / - Sketching woman dying in London. Sigies' Club (Sessler's). 1960 portrait on piano from photo. / - Football Player (Son of Dolphin Coach), died on field - college (memorial) Later Bob Kerstenboum talked to me about it. Painting / - Buffalo, N.Y. Great school hero died. Portrait (memorial). / - Karin 'Cookie' Kupcinet - murder L.A. / - Dead Coach Football dinner portrait from photo. Mother says, 'He looks laid out'. / - Daughter of Family. Hit and killed by car on 72d Street and Park Avenue. I am asked by family and do portrait from photograph. / - Bob Kerstenbaun played 15 years for Miami Dolphis, no. 67. He called me November 3, 1993 about Jackson Hospital fund raiser - son was killed and I did portrait.]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Typewritten with permanent marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on a selection of artistic references, specifically jazz musicians and posthumous portraits.
Description
An account of the resource
This note from LeRoy Neiman provides a brief list of jazz musicians and “ill people” featured in the artist’s work, including Billy Holiday, Nat King Cole, and a deceased football coach. Although the record is abridged both with regards to subject matter as well as description of these subjects, it gives some insight into the events Neiman recorded via sketch and painting. The record itself in an excerpt from a larger piece on artistic reference.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/164">LN_Notes_1780_01, LN_Notes_1780_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/163">LN_Notes_1776_01, LN_Notes_1776_02, LN_Notes_1776_03, LN_Notes_1776_04, LN_Notes_1776_05</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/162">LN_Notes_1775_01</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/161">LN_Notes_1774_01</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/160">LN_Notes_1773</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1772_01; LN_Notes_1772_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Dizzy Gillespie
Document
James Brown
Jazz
Louis Armstrong
Madison Square Garden
Miles Davis
Notes
Playboy
-
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b03ad21866ce8e5cdb9cfd8effbeca43
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
I served 3 years on the New York City Advisory Commission for cultural affairs from Nov. 1 1994 to Oct 31, 1997
I was made aware of NY civic dealers governs and efforts regarding minority education.
Mickey Waleh at Southern Pines NC Steeplechase trainer took me in tow.
I zeroed in on ZZ guest and the hunt ball. and the breakfast. stirrup cups
Henny Youngman
Coat of Arms
Post cards messages stamped confidential
also cards saying
MONEY I OWE YOU ENCLOSED
Henny would send postcards with his COAT OF ARMS announcing TV concert or cabaret appearances with CONFIDENTIAL ON THE ADDRESS
side of the card
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pen and permanent marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
A note from LeRoy Neiman on various projects, including serving on the New York City Advisory for Cultural Affairs from 1994 to 1997; the document also features an illustration of Henny Youngman's "Coat of Arms."
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 2000-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1406
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
Henny Youngman
Jazz
New York
Notes
-
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1417b9e4473ac5b94c171af465e35cc3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
I was not looking for the new as advertising, films, T.V., was and the art was.
Ballet (need of funding)[,] classical music[,] (jazz) was struggling to keep up (hold on)[.] Other forms of artistic expression introduced in outstanding new ways. (Every thing new has in some form been done before) While I just contrived to be me the same me, same subject matter etc. Was I getting better? Not really. Just that the look of world keeps changing and (my work appeared contemporary[.] [H]ow thing[s] look today is my subject matter. [E]xample[,] the sedate international [manual?] folks were the people (often formulate class) at the tables in my Monte Carlo of the mid[-]century years I painted the gambling scene. Today it is Las Vegas, noisy, casual, sexy, neo etc.[,] but its purpose the same.
I boxing at this time[,] fighters sat in their corner until introduction[.] [N]o advertising on canvas, ropes, trucks, etc[.][Ringsiders?] elegant, all male but wearing [?] [.]
Today [noisy], rowdy[,] a lady for every man[.]
Was I a groove or a rut?
Hear the spin of the roulette wheel[.]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on making art in his cultural moment.
Description
An account of the resource
This note from LeRoy Neiman provides a self-conscious, retrospective reflection on artistic influence. Within the writing, the artist characterizes his influences as “contemporary” and “how things look today”. As abstract as this description might seem, this interest in now-ness, and recording the present moment from the inside, was very much a theme in the artist’s work. On a more granular level, the note references how more modern, electronic arts (e.g. TV, film, and advertising) proved vital to Neiman’s practice and conceptualization of the location of visual arts in culture, more generally. This self-positioning of his work vis-a-vis these low brow cultural forms then speaks to the high-art, low-art division that was of interest in the mid-20th century and a personal preoccupation for the artist. That said, it should be noted that this collapsing of stereotypically high and low forms was not an agenda of sorts but instead simply a side-effect of Neiman’s cultural enmeshment.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/142">LN_Notes_1595</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/173">LN_Notes_1875</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/224">LN_Notes_2314</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/140">LN_Notes_1593</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/63">LN_Notes_909</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/92">LN_Notes_1021_01; LN_Notes_1021_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/199">LN_Notes_2214_01; LN_Notes_2214_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/141">LN_Notes_1594</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/80">LN_Notes_986_01; LN_Notes_986_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/187"></a><a href="http://leroyneimanfoundation.omeka.net/items/show/37">LN_Notes_819_01; LN_Notes_819_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/216">LN_Notes_2302</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/163">LN_Notes_1776_01; LN_Notes_1776_02; LN_Notes_1776_03; LN_Notes_1776_04; LN_Notes_1776_05</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/151">LN_Notes_1764_01; LN_Notes_1764_02; LN_Notes_1764_03; LN_Notes_1764_04</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_1012
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Document
Jazz
Las Vegas
Notes
-
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3317a7f80cc8a5281c746551a55c829e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
When I work its like painting with no S N.
works with no safety net.
spartan exits once teaching
not a necessary
self-effacement egoless
billowing streams of Jazz
polyrhythmic energy
a simultaneous occurrence of sharply contrasting
rhythms within a composition
Polyrhythmically
leading man in group
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil and felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on his artistic overlap with jazz.
Description
An account of the resource
This abbreviated note from LeRoy Neiman looks at the overlap between jazz and the artist’s style and process. Neiman, throughout the short note, repeatedly draws a parallel between this genre’s “polyrhythmic”-ism and his work. Furthermore, he underlines a kind of sense of danger or risk in working in this dynamic. Neiman writes, “When I work its like painting with no S N. / works with no safety net.” That said, the convergences between musical and artistic style, excitement and hazard embedded in the discussion occur on the plane of subtext, not overt declaration. Neiman starting in his early days as a Chicagoan felt a connection to jazz, as evinced by his vast collection of work addressing this textured musical genre and culture.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_908
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Document
Jazz
Notes
-
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c7fae45f51fdb34ce95660aff640d212
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
I held an excessive regard for public taste, which brought about a flagging interest in what was stressed in the art officialdom, resulting in my being the recipient of adverse criticism or total disregard. My popularity with the public didn’t help with these taste makers?
My guest broadened as I painted in many (a variety) of time zones during the years travels from Gander to Thailand
In Paris in the ’60s You’d have your bottle of scotch or vodka shelved at your club “Regine’s” and marked the liquor level to be served brought to your table next visit, with your name attached as Parisian diners stored their serviette (napkin) at your their favored neighborhood restaurant.
Tom catting Tom Cattin’
game cocks Rooster patched up hack fights
sooty black (negro) to high yeller
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, ballpoint pen, and felt-tipped pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on his critical reception.
Description
An account of the resource
<p class="p1">This note from LeRoy Neiman addresses the tension between his public and critical reception. The writing opens with a statement of confusion (i.e. “My popularity with the public didn’t help these taste makers?), followed by a nod to his widening of response with travel abroad. In incompatibility, the document finishes with a punchy, jazz-inspired image. One of many notes touching on the artist’s relationship with the art establishment, the document was mostly likely made in preparation for the Neiman's memoir, <i>All Told. </i></p>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_894
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Jazz
Notes
Paris
Travel
-
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832e88de3655e86e42054e6e5f23c99a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Aug 11 1965
6 days
Jazz lived in
Charcoal Alley
Black Ghetto
Urban Slums
Barrios
Chicanos Mex-Am
barrios ghettos slums
substandard life style
alien tongue
Asians Vietnamese war WWII Asians JAP after WWII
LOCALS
CHICAGO ARAGON Ballroom
Harlem
SAVOY APOLLO
ST PAUL COLISEUM
Rowland NYC
NEW Orleans French Quarter 90 Block sq. Heartland and soul-Jazz drifts out of doorway and window and blasts on street corners at all hours
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Marker and pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on artistic reference and social geography.
Description
An account of the resource
This note from LeRoy Neiman looks at a range of peripheral spaces in which the artist look interest. The list covers everything from parts of Harlem, Chicago Alley, to the St. Paul Coliseum, and the French Quarter. Although the register should no longer total, it proves demonstrative of the artist’s interest in not just leisure and travel but a range of spaces, communities, and lifestyles. The document was most likely made in preparation for the artist’s memoir, <em>All Told</em>.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_889
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Document
Jazz
Notes
-
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1deafa953bfd663430ae97a39eca1423
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
suffered form injustices
racial issues challenged their dignity
They persevered through their music
The long shadow of slavery lingered
The long struggle for evil right
Insurrection—dark period equality
I had a found it difficult to deal with my brother
Earl for the poignancy of his goodness
Culture vultures
The perpetual observer.
Recording the events that I witnessed
The life of my time with style
Involvement in contemporary sociological
(the financially fit and the elitist)
I’d grasp exterior details—close up.
Watch their manners as they were not on guard against me. I was allowed to mix with them as I presented no challenge. (I didn’t share a want in) Their wants, desires, needs.
Stifled by parents, oppressed by misery. My sight penetrated to the depth and secret scrutinizing of social life. (My gaze) embracing the scene. Fascinated, I flung myself into the world of PLAY.
HE LOVED WOMEN. NOT INDIVIDUAL women, but women. /
suffered form injustices
racial issues challenged their dignity
They persevered through their music
The long shadow of slavery lingered
The long struggle for evil right
Insurrection—dark period equality
I had a found it difficult to deal with my brother
Earl for the poignancy of his goodness
Culture vultures
The perpetual observer.
Recording the events that I witnessed
The life of my time with style
Involvement in contemporary sociological
(the financially fit and the elitist)
I’d grasp exterior details—close up.
Watch their manners as they were not on guard against me. I was allowed to mix with them as I presented no challenge. (I didn’t share a want in) Their wants, desires, needs.
Stifled by parents, oppressed by misery. My sight penetrated to the depth and secret scrutinizing of social life. (My gaze) embracing the scene. Fascinated, I flung myself into the world of PLAY.
HE LOVED WOMEN. NOT INDIVIDUAL women, but women.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Felt-tipped pen and pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on touching on artistic career, family, and reference.
Description
An account of the resource
This note from LeRoy Neiman provides a duplicate response. The writing traffics through a range of subjects, such as racial injustice, Neiman’s relationship with his brother Earl, and work with <em>Playboy</em> magazine. Little of the remark proves either conclusive or comprehensive. However, Neiman does elaborate more on the impulses and relationships that fueled his success; this discussion exists largely on a plane of generality and abstraction. The reason behind duplication proves unclear.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_885_01; LN_Notes_885_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art Reference
Charlie Parker
Detroit
Document
Jazz
Jimmy's Chicken Shack
New York
Notes
Women