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Giovanni Battista Domenico Tiepolo 1727-1804&#13;
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Domenica – down-to-earth images of country folk actors hunchbacked Punchinellos.&#13;
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              <text>Pleasure pursued Purchased Pleasure &#13;
pristine – tony gathering &#13;
the crown jewel in the glittering tiara &#13;
His wit of mercurial character &#13;
{BRIGHELLA&#13;
Brighella (olive half-masked)&#13;
To Brighella 16th c. money does not mean power &#13;
money is worth only the pleasure it provides and in this &#13;
respect he is more logical and human than the miserly merchant Panteloon.&#13;
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When he is compelled to travel – it is (because it is necessary) to flee.&#13;
The importance of the liar’s lies like him – self &#13;
are more (slight) then damaging &#13;
A rare gift for singing and scraping the cat-gut.&#13;
I would like to (be) the lucky [?] to measure such a charming figure. &#13;
Misfit – Left handed gondolier (violinist)&#13;
It was as much out of keeping as a left handed gondolier in Venice waterway.&#13;
It was another third down and short yardage situation &#13;
Now we have long yardage &#13;
The situation is now to punt </text>
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                  <text>LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. &lt;br /&gt;&lt;br /&gt;The majority of these documents were made in preparation for the artist’s memoir, &lt;em&gt;All Told&lt;/em&gt;.</text>
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              <text>Buskers Wall &#13;
Integral &#13;
organizationally connected to architecture &#13;
special proportions &#13;
idea expressed &#13;
Pompeii &#13;
Tiepolo – Tintoretto&#13;
We don’t see the great murals of Florence, Rome, Venice, etc because they are installations &#13;
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Thomas Hart Benton &#13;
Mural &#13;
Chagall, [Matisse]  &#13;
IF OFTEN THOUGHT ABOUT&#13;
STUFF LIKE STAGE SETS&#13;
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HAVE TO BE ASKED. SO I’VE &#13;
Been more than anything else &#13;
an easel painter &#13;
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                <text>&lt;p class="p1"&gt;A note from LeRoy Neiman made in preparation for his &lt;i&gt;Busker Alley&lt;/i&gt; mural at the St. James theatre in 1995.&lt;/p&gt;</text>
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Murals &#13;
Façade &#13;
Require broad vision &#13;
Pictorial schemes &#13;
must see in large &#13;
stylized imagry &#13;
(Tuscany – Giotto Michelangelo Leonardo [?], Mexico Rivera [?] Palational National MEXICO FINE ARTS mural)&#13;
Tuscany painters covered Vatican walls &#13;
Painted a mural in Eupen Belgium in a do-nut dugout – a title mural at Sportsman Park in Chicago race track Couple in Playboy Clubs.&#13;
SS. PATRICIA NORWAY&#13;
To exalt, decorate, please the eye, bring joy into the heart, satisfy services. &#13;
Small cartoons are grappled up.&#13;
blown up. Not pounced or pricked cartoons&#13;
BUSKERS </text>
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                <text>&lt;p class="p1"&gt;A note from LeRoy Neiman made in preparation for his &lt;i&gt;Busker Alley&lt;/i&gt; mural at the St. James theatre in 1995.&lt;/p&gt;</text>
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                  <text>Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.</text>
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              <text>v=(Donut Dugout SS [?] Race Track Playboy Club)&#13;
Billboards &#13;
See in the large&#13;
Image makers delight &#13;
Monumental façade&#13;
Pompeii Tuscany Mexico&#13;
Overhaul the wall &#13;
Sunset Blvd &#13;
Real Bushes – [?]&#13;
All contributions are tax deductible&#13;
MOLIERE – Shakespeare  </text>
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              <text>VENICE – AMSTERDAM&#13;
(A)&#13;
My paintings are in some small way a study of elites (and the poor). Being in (a) way a sociological authority NOT by education but simply that of an observer of human behavior. A product of the lower classes I feel confident of understanding my lower class background and a beneficiary of many adventures and misadventures mingling curiously among the (privileged) selection and (the) have nots.&#13;
I have studied (thru observing and) thru the medium of drawing and painting relationships between the haves and the have-nots thru personal (socializing) and fraternizing while both wile seriously at paly. A dominant element (ever necessary to both). &#13;
PLAY (in the dominants) subject matter of my work. The Dutch society bears comparison to the Venetian society as do the Asian and Western societies do today. &#13;
You cannot mature and be a part of the US today without comparing it (to) other cultures which either copy Western ways or despise them. But while the elite are at all times the elite when they play their games intermural or internationally. &#13;
([?] Jews) great wealth. Supplied the means which (necessary) food, play, munitions, with international connections &#13;
(the have and the have mores a quantity) </text>
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              <text>TABLE GAMES&#13;
Baccarat BACCARAT&#13;
1959 opening first Baccarat table in Nevada at Sands – all men at the Table &#13;
Undoubtedly in the important and get the biggest paly of any banking card games. &#13;
Baccarat or Baccarat – Chemin de Fer gamblers wager 1.5 Billion yearly. &#13;
Chemin de Fer called “Shimmy” in Americans&#13;
Baccarat and Chemin de Fer are French varrations of the Italian game Baccara &#13;
Introduced as a private gambling game to the French nobility during 1490 reign of Charles VIII&#13;
Baccarat, under name of Baccara introduced to America 1912 in NYC sawdust joints (Big Thompson on Houston St.)&#13;
STARDUST Hotel, Vegas introduced Shimmin in 1958 1st legalized game in the country Las Vegas style Baccarat in similar to Baccarat found in Monte Carlo Deauville and San Reno plus a few Cuban trimmings &#13;
Chemin de Fer is played exactly the same as Baccarat, with the exception the casinos operators take no risk, since players bet against each other &#13;
During the early 40s Simmy was a gambling rage in Americas </text>
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