Browse Items (6 total)

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This note from LeRoy Neiman concerns his thoughts on artist Ludwig Bemelmans. Both Bemelmans and Neiman were represented by Hammer Galleries. Within the writing, the artist touches on his regard for Belemans as well as presents an image of Neiman…

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This note from LeRoy Neiman touches on the artist’s relationship with Armand Hammer, of Hammer Galleries. The writing consists of two loose quotes from Hammer, and a comment from Neiman on the evolution of silkscreens in America, connecting the…

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This note from LeRoy Neiman looks at the beginnings of the artist’s relationship with Hammer Galleries. Providing a brief profiles of the three “Hammer Brothers” (Harry, Victor, and Armand), Neiman sketches a convivial, slapstick contour of the…

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This note from LeRoy Neiman looks at the germination of the artist’s relationship with Hammer Galleries, in anecdotal form. Through the remark, one is given a window into the texture of Neiman’s budding relationships with the various “Hammer…

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This note from LeRoy Neiman provides a fragmented commentary from the artist on his prints (and by extension work with Knoedler Publishing in the 1970s and 1980s), biography, and relationship with St. John's University. Neiman received St. John's…

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This note from LeRoy Neiman provides a drafted anecdote concerning Armand Hammer (Neiman’s former gallerist at Hammer Galleries) and the Prince Charles. A sketelton of a story, the document touches on a joke Hammer made about the prince's interest in…
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