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                  <text>LeRoy Neiman, Notes on Art </text>
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                  <text>This collection features LeRoy Neiman’s notes on art. </text>
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                  <text>Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.</text>
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                  <text>LeRoy Neiman Foundation</text>
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                  <text>c. 1980-2011</text>
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                  <text>LeRoy Neiman </text>
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                  <text>Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.</text>
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                  <text>LeRoy Neiman's personal notes</text>
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                  <text>New York (N.Y.) New York</text>
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                  <text>LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. &lt;br /&gt;&lt;br /&gt;The majority of these documents were made in preparation for the artist’s memoir, &lt;em&gt;All Told&lt;/em&gt;.</text>
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              <text>CULTURATI&#13;
NITE CRAWLER&#13;
Dizzy’s wife Lorraine was a an Apollo chorus girl&#13;
&#13;
I draw in paint&#13;
Never make drawings preparatory for paintings&#13;
&#13;
Drawings are works in themselves&#13;
Capital Holland&#13;
Rotterdam hard drinking city, known for drunkenness&#13;
	Reputation of fashionable city&#13;
Kees van Dongen born in Rotterdam in&#13;
	When deKooning was [?] years old&#13;
&#13;
Fauvism (flourished in) France 1898-1908, brilliant&#13;
Color, pure, straight from tube, aggressive, direct, &#13;
Create exploration of canvas, VIOLENT WILD beasts&#13;
Agitated—Cezanne with his vision and style; order and structure KOed its emotional turbulent Fauves in favor of the logic of cubism.&#13;
Dufy carefree ornamental bold&#13;
&#13;
Mescaline Acid, Psychedelic drugs </text>
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                <text>Note on Art</text>
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                <text>A note from LeRoy Neiman on artistic reference.&#13;
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                <text>This note from LeRoy Neiman touches on a range of his artistic references. The writing opens with a nod to nightlife. Subsequently, Neiman speaks to his interest in Holland and modern Dutch painting. And, the note closes with a list of artistic movements to which the artist also looked. Inserted into this discussion of reference, Neiman provides an abbreviated discussion of the concept of “the study”. (Neiman writes, “I draw in paint / Never make drawings preparatory for paintings.”)</text>
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                <text>LeRoy Neiman </text>
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                <text>LeRoy Neiman Foundation</text>
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                <text>LeRoy Neiman Foundation</text>
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                <text>c. 1990-2011</text>
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                <text>LeRoy Neiman </text>
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                <text>Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.</text>
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        <name>Cezanne</name>
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        <name>de Kooning</name>
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        <name>Dizzy Gillespie</name>
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        <name>Document</name>
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        <name>Fauvism</name>
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        <name>Jazz</name>
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        <name>Notes</name>
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        <name>van Dongen</name>
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