1
10
217
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
insert
Claude Monet
Along about 1960 diving in Paris I clipped photo and of a magazine probably only “Match” of a white bearded ([?]) Monetish a gent attired in black promenading with a walking stick.
Deciding it appropriate to fit a old man into a street scene I was doing at the time.
Every few years I inserted the (same) character into some painted (or other like) along the piers of Monte Carlo, (along) the beach at Cannes, up the Camps Elysee , Blv. St Germain and eve the sands of Wakikki Beach
To sneak a senior citizen like that occasionally into a composition amused me (privately) and buyers would sometimes sight him in purchasing a print my characters, [?] Claude Monet (with his white beard) painted in chivalry WITH FAILING EYESIGHT right up to her death in 1925 at age 86
which alerted the SO THAT
on my 84th Birthday in 2005 it suddenly dawned on me that in one [?] or another this OLD FART in my painting had ways subjectively been for me
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his relationship with painter Claude Monet.
Description
An account of the resource
This note from LeRoy Neiman relays a personal fantasy the artist entertained about French impressionist Claude Monet. Within the document, Neiman details finding a Monet-esque figure in Paris, incorporating this character into his work. The representation transitions from likeness to caricature, to motif, eventually resulting in an epiphany of self-depiction. Neiman's intention behind this note - whether the anecdote is supposed to forge a kinship between Monet and himself, and by extension their respective work, or if the story is just simply a humorous account - is unknown.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2445
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
Monet
Notes
Self-portrait
-
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00b689da54477288fe6a8c48561bbe0c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Opera INSERT
New Metropolitan Opera House tin Lincoln Center for the Performing Arts opened 3 years after (our) moving to New York.
A glittering 45 million dollar gala opening ON Sept 16 1966 Parading The Diamond Brigade Rolling out a 160 foot long plush red carpet 9 ft wide. A worlds largest (opera house providing) seating 3,800 (Derrier recepticlas) (suitable for the well heeled to trod into the) 5 horses 3 GOATS AND A CAMEL ONSTAGE WITH THE CAST OF AIDE
The Dufy murals in the restaurant “The Tope of the Met” sometimes called “Dufys Tavern” SAVORING artist gaiety, flair, (and) style.
4 paintings
[…]
I did tow paintings of the occasion one of the SWEEPING crowd entering and the other ON POSE STRIKING EN GRANDE TENUE staircase and a drawing (OF A 6 Deep CHIC intermission crowd)
[…]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Permanent marker, felt-tipped pen, and pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This note from LeRoy Neiman details his personal relationship with the Metropolitan (Met) Opera House at Lincoln Center. The artist moved to New York, specifically to the Upper West Side, in the 1963, three years before Wallace Harrison's design was complete. Neiman was interested in the site not only for its architectural grace but also the establishment's glamorous crowds and connection to leisure culture. The note was most likely made in preparation for the artist's memoir, <em>All Told. </em>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2349
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
New York
Notes
Print
-
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65dd08f573eff2d385324a61a7cd91cd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
ADD
INSERT
LINCOLN
[…]
When I was 1- years old only 65 years after Lincoln’s assassination people still lived who had seen him live, even talked to him.
He was still real. (There was a salty old school Janitor in our neighborhood who claimed he conversed with Abe at Gettysburg. Certainly a bullshitter it was possible and believable)
Lincoln born 1809 when Lincoln was 12 Napoleon died in 1821
Around 8 or 9 I did a daily comic strip. I called “Honest Abe” My abe was inspired by a Mathew Brady photo of Lincoln tall and posing (IN A BLACK SILK STOVE PIPE HAT) General Mc Clenans field ten Headquarters during the Civil War. An erect all black stick figure. elongated. I always depicted him towering over whoever was in the photo. I colored my strip on Sundays
over /
INSERT
Lincoln was a very real compelling figure to me rising from on impoverished, uneducated background in rural Kentucky to the Presidency
I put up balloons in the frames with sayings but no story line.
I livened the strip up with cameos by Joe Palooka, Moon Mullins, Jiggs and Tillie the Toiler – (Anne Strip) – favorite of mine
INSERT
Lincoln did no grow his beard until 5 years before his death
First bearded president – started bear after he was elected
was photographed hundreds of times in studio photos His photos sold for 1 dollar
stood 6’ x 4 “ 180 lbs
Lincoln exploited the photos as Napoleon did the artist. Napoleons every battle ceremony, mood was lionized by the painter Raffet the most favored among dozens
Just as Pope Paul II was the first media pope
all presidents no facial hair until Lincoln
all presidents had facial hair until Wilson
all presidents are clean shaven
As a result of one of my mothers spring cleaning rampages the strip along with other works were unintentionally destroyed
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, color pencil, and marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his artistic reference to Abraham Lincoln.
Description
An account of the resource
This note from LeRoy Neiman provides background for the artist's print of Abraham Lincoln. The record reveals his childhood interest in the former president as well as his later fascination with the figure's cultural capital, facial hair, and distinctive character. Neiman's print, widely distributed, achieved fair commerical successs. This record was most likley made in preparation for the artist's memoir, <em>All Told.</em>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/147">LN_Notes_1673_01,LN_Notes_1673_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/149">LN_Notes_1677</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/145">LN_Notes_1658</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/148">LN_Notes_1674</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/146">LN_Notes_1667</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/144">LN_Notes_1655</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/206">LN_Notes_2250</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/180">LN_Notes_1995</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/73">LN_Notes_923_01,LN_Notes_923_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/71">LN_Notes_919_01,LN_Notes_919_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/171">LN_Notes_1871_01,LN_Notes_1871_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/150">LN_Notes_1702,LN_Notes_1703</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/176">LN_Notes_1903_01, LN_Notes_1903_02</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2436_01; LN_Notes_2436_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Abraham Lincoln
Art
Art References
Document
Napoleon
Notes
-
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99060aef81adf88b8df47574b9b2c93e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
INSERT
[In] 1979 After a relaxed lunch at 21 film maker Ken Zaren and I were short cutting across central park on foot headed for The West Side [///]
We (having) recently returned from a shoot on the Riviera
were not on the lookout for anything special let along something that would provide inspiration. But there is no assurance in New York that something unexpected will not turn up.
It was a balmy day as we strode.
(along a path running from one of the curving streets that snake through the park) Pausing for a light around a bend came
2 Bike cops followed by an open [convertible] then a sedan. The short convoy glided to a halt at the same traffic signal. There seated in the first car in all white creating almost radiating light – Pope Paul II looking straight at us. Frozen in our tracks I swear that as the light turned green and they purred away the Pope actually looked back over his shoulders.
Ken a devout Catholic was enthralled as was I. We had just communicated at close range what amounted to what was like a private audience with Pope Paul III.
Along back in my studio the surprise encounter struck. I could not shake the brief memory NOR DID I TRY. I was in the process of painting a panoramic view of Manhattan result of sketches made from the 86th floor of the Empire State Building, a horizontal composition starting at 42nd ST at the lower and from the Library and Bryant Park up 5th Ave beyond Central Park to Harlem,
Flanked by the rivers on either side of the island. /
Since the Pope had flown from Rome to Kenney on a TWA commercial flight (A FIRST) that brought about a travel with THE Angles promotion he belongs
IN THE PICTURE HIS ITINERARY STARTED WITH A sensational New York visit
So I decided I’d put him in the painting.
He’d be flying over midtown Manhattan
So I had him floating in the air above the skyscrapers like a Thanksgiving day parade float. It worked.
THE POPE AS A FLOTE [sic]. I placed him airborn [sic] buoyantly SUSPENDED OVER Midtown the spires of St Patricks back to his left. Vulnerable, sensational object of public attention that he was it all seemed
so logical
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, permanent marker, and colored pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
This note from LeRoy Neiman provides an anecdotal account of the artist's reference to Pope John Paul II. Neiman spotted the Pope after returning to New York from a film shoot in the Riviera in 1981. Internalizing this encounter, the artist included the figure in a urban panorama, flying between the spires of Saint Patrick's Cathedral in Midtown. Years later, Neiman removed the Pope from the work, painting him out. The note was most likely made in preparation for the artist's memoir, <em>All Told. </em>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2435_01; LN_Notes_2435_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
New York
Notes
Travel
-
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cd517b8412076617a5ad2803f438e453
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
GOOD
INSERT
My 6’ x 4’ oil of Ricardo’s Bar on Rush St Just behind the Chicago Wrigley Bldg. was on exhibit ([?] on OAK St) when Morgan David Wine contacted me that they would purchase the painting if I’d paint a bottle of Morgan David (standing) on the bar. Why not?
The price was agreed upon. I believe I remember jacking up the price a tad to make it appear it was a [?]. In any case I was [?] a jug of the Jewish grape and I kept my promise, a deal was a deal.
Maybe 8 year had passed when and I received another (now in NY) Ricardo (related) call. A new [?] was interested in the painting now on the 2nd market or was it an upcoming auction? Would I remove the Morgan David Bottle? Only so I said to the gentile! It stays on one of your walls for keeps. /
The The painting (sans Morgan David label bottle) found its permanent home
just as Ricardo’s still (remains) there where it was.
where it’s always been
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pen, pencil, and color pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his painting, <em>Ricardo's Bar.</em>
Description
An account of the resource
<p class="p1">This note from LeRoy Neiman provides the history of the artist's painting of Ricardo's Bar in Chicago, through personal anecdote. The record is not only significant because it elucidates the piece's biography but also because the document provides a window into the artist’s attitudes towards both the modification of existing works and commissions.<span class="Apple-converted-space"> </span></p>
<p class="p1"><i>Ricardo’s Bar, </i>originally on exhibition at the Wrigley building, was purchased by Mogen David Wine, a New York state based winemaker and distributor originally founded in Chicago, under the precondition Neiman painted one of the company's bottles into the bar. Approximately five years later, a buyer of unknown designation desired to purchase the from Mogan David, with this sale predicated on the removal the wine company’s bottle. Neiman complied. It is unclear where the piece was located during the wine company’s ownership.</p>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2434_01; LN_Notes_2434_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Commissions
Document
Notes
-
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efc73f6c9660ad2b863c589ca3f5331f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Monticelli, Rembrandt – Bellows Lucien Freud
The last time I sketched my Mother March 1980 at 82
She mused “ My dancing days are over” My mother would have liked that”
Her mother considered dancing evil
The last time I saw my mother
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on his final portrait of his mother, Lydia Hoelscher
Description
An account of the resource
This note from LeRoy Neiman provides a brief history of the artist’s final portrait of his mother, Lydia Hoelscher. The work was a sketch, dated 1980. Although the record is a singular account, it exhibits rhetorical overlap with other notes the artist made about rendering his mother. These overlaps include references to painters, Bellows, Rembrandt, and Freud, as well as quoted quips from Hoelscher.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2410
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
Family
Lydia Hoelscher
Notes
-
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2410d01a827ea57766fdb9c83462ea32
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Giovanni Battista
Giovanni Battista Domenico Tiepolo 1727-1804
Battista – allegorical frescos of airborne gods and heroes
Domenica – down-to-earth images of country folk actors hunchbacked Punchinellos.
The Church of the Madonna della Salute /
[...]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on art.
Description
An account of the resource
A note from LeRoy Neiman on artistic reference, specifically Italian painter and printmaker Giovanni Battista Tiepolo; a study featuring a baseball player is on reverse.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 19900-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2379_01; LN_Notes_2379_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
Italy
Notes
Tiepolo
-
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323b466263324a5da24af12744e778dd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
prisons and madhouses
Goya
“Interior of a prison” 1793-94
prison “Yard with Lunatics” 1794
“The madhouse” 1812-13
tauromagnia
ritual-rite
[?] bullfighter
July 1824 shortly before death
in Paris he painted “suerte de vara” Bullfight
bloody
Died 1828 /
The rite ritual
corrida toros
heroic torero
fate – luck
Flamenco – tauromauchy
on stage
[…]
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil and pen on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on artistic reference, specifically Spanish Romanticist Francisco Goya and bullfighting.
Description
An account of the resource
This note from LeRoy Neiman provides a list of artistic references, particularly work from artist Francisco Goya; a preponderance of the pieces cited depict bullfighting. <br /><br />Neiman made a collection of works engaging bullfighting and bull dodging including, <em>Adriano, World Champion Bull Rider On Little Yellow Jacket, </em>which was widly distributed through Knoedler Publishing as posters and prints. That said, the majority of Neiman's works were rendered on site, with the artist both sketching and painting contests in the flesh as well as using these live materials for studio-based paintings. (Neiman attended many bull events accross the US as well as in Spain and Mexico.) This note then provides insight into the artist's more art historical interest in the animal and the sport, but should not be seen as total.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2334_01; LN_Notes_2334_02
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Bullfighting
Document
Goya
Notes
Print
-
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e37a5f95f9eb9b3c977bfd28ad074cf0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Thomas Rowlandson
(Met Museum drawing collection)
zest
(gambling)
social satire, storytelling sequences
ridiculing the pretentions and vulgarities of British society
“A gambling Table at Devonshire House”
the lascivious corruptibility and greed of gambling females and the brutish attention of men.
The gambling table
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pencil, pen, and marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A personal note from LeRoy Neiman on artistic reference, specifically Thomas Rowlandson's <em>A Gaming Table at Devonshire</em> House (1971).
Description
An account of the resource
<p class="p1">This note from LeRoy Neiman concerns Thomas Rowlandson's <i>A Gaming Table at Devonshire House. </i>The pen and ink drawing with watercolor features a selection of British aristocrats gathered around a gambling table. (Working and living on the Upper West side, Neiman first saw this piece at the Metropolitan Museum of Art, where the work is accessioned.)<span class="Apple-converted-space"> </span></p>
<p class="p1">Neiman had a longstanding fascination with gambling, rendering many works engaging the subject—e.g. <i>Chemin de Fer </i>(1966), two related pieces entitled <em>Working Girl at Caesars Palace </em>(1980), <i>Casino du M</i><i>onte Carlo</i> (1981), <i>Baden-Baden </i>(1987)<i>, </i>and <i>Desert Inn Baccarat </i>(1997)—as well as partnering with former CEO of Caesers Palace, Cliff Perlman, on a number of occassions. The majority of these pieces were either completed onsite or made from sketches done onsite, professing to the artist’s not only interest but participation in leisure culture.<span class="Apple-converted-space"> </span></p>
<p class="p1">The note then confirms this interest. Rolandson’s drawing is somewhat of a critique of British aristocratic life. The image, a tableau, zeros in on two members of the Spencer family, sisters Georgiana and Harriet Ponsonby, who hold elusive eye contact. Georgiana was at that point what would be nearly $6 million today in debt. The other figures in the work also seem to have partner off, depicted in contorted asides laced with dubious smirks. Although Rolandson gives no indication on what exactly is going on, it’s clearly not the most flattering portrait. (Neiman himself describes the work as disclosing the “greed of gambling females and the brutish attention of men [in British high society].”)<span class="Apple-converted-space"> </span></p>
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/142">LN_Notes_1595</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/173">LN_Notes_1875</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/224">LN_Notes_2314</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/140">LN_Notes_1593</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/63">LN_Notes_909</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/90">LN_Notes_1012</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/92">LN_Notes_1021_01; LN_Notes_1021_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/199">LN_Notes_2214_01; LN_Notes_2214_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/141">LN_Notes_1594</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/80">LN_Notes_986_01; LN_Notes_986_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/37">LN_Notes_819_01; LN_Notes_819_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/216">LN_Notes_2302</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/163">LN_Notes_1776_01; LN_Notes_1776_02; LN_Notes_1776_03; LN_Notes_1776_04; LN_Notes_1776_05</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/151">LN_Notes_1764_01; LN_Notes_1764_02; LN_Notes_1764_03; LN_Notes_1764_04</a>
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2314
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Document
New York
Notes
Rowlandson
-
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de80e153d3b79205ed23cce0cb2c8588
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
LeRoy Neiman, Notes on Art
Subject
The topic of the resource
This collection features LeRoy Neiman’s notes on art.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation.
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1980-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
LeRoy Neiman's personal notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Documents
Identifier
An unambiguous reference to the resource within a given context
Identifiers found at item level.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Description
An account of the resource
LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. <br /><br />The majority of these documents were made in preparation for the artist’s memoir, <em>All Told</em>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
HOGARTH ROWLANDSON
Hogarth-Rowlandson
Their lives briefly overlapped
Rowlandson (Born) 1750 – 1827
Hogarth born 1697 – 1764
Hogarth’s paintings (dates?) Life as a stage
LIKE stage sets
Segonzae, Guys, Daumier
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Pen and marker on paper.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Note on Art
Subject
The topic of the resource
A note from LeRoy Neiman on artistic reference, specifically the work of English artists William Hogarth and Thomas Rowlandson.
Description
An account of the resource
This note from LeRoy Neiman provides a comment on artists Thomas Rowlandson and Willam Hogarth. Despite the brevity of the statement, Neiman seem to be drawing comparison between the two artists, hitting on a kinship in aesthetic and tone. At the bottom of the page is list of other 18th and 19th century illustrators engaging Humanism and satire. The record was most likely personal in nature.
Creator
An entity primarily responsible for making the resource
LeRoy Neiman
Source
A related resource from which the described resource is derived
LeRoy Neiman Foundation
Publisher
An entity responsible for making the resource available
LeRoy Neiman Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1990-2011
Contributor
An entity responsible for making contributions to the resource
LeRoy Neiman
Rights
Information about rights held in and over the resource
Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details.
Relation
A related resource
Notes
Format
The file format, physical medium, or dimensions of the resource
Image/jpeg
Language
A language of the resource
English
Type
The nature or genre of the resource
Document
Identifier
An unambiguous reference to the resource within a given context
LN_Notes_2313
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York (N.Y.) New York
Art
Art References
Daumier
Document
Guys
Hogarth
Notes
Rowlandson