1 10 9 https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/1c5e98b1326e48dbd10aa5a1eaad9a14.jpg?Expires=1790208000&Signature=j93P2HIywVToM6S3hZ01m-u3PeQPbFkY0gvcBSl7PlbwIzK54qbcZcBWaCCzyYfK7-VVCOrCG0jEBmmoALKxEi6RanDdKYli7vyKiYQHHLmEdZYpGyW%7EHwpz-GfAqbH5zWG1ffcb%7ER0e7HWozURTINIuTMDD2HIOSOczZtDT0CezDTrfIx5rtjPHqDXOZyLvgXp3KOl1sNnVYY-eGYbSxTik1I8J9EdpWelDh7KIw%7ECZwJS20lXnF593GVXLlM7PCOoTj996vBk7cQifNiRq7qL%7Egg%7EUQbX6G6hAnSt1jVg7zwlPd9sKsL6Ua%7E--Bhz0lyR5oslgNSjlrYfbH%7E7V%7EQ__&Key-Pair-Id=K6UGZS9ZTDSZM be35ccde776cf2110eec1f95ea7b61a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document (4) sound requisites for the artists motivation which aided me at the outset (1) Begin life at a poverty level (2) Come from a broken home, (3) Be a high-school dropout. (4) Have an undistinguished military career. To sum my case history 1942 Drop out of high school 1943 Drafted into the army 1943-4 Volunteers for Army C&B Cooks and Bakers School I learn edible animal autonomy chalking up and cutting up full carcasses of beef lamb and pig. Prepares meals in the back of Kitchen trucks on the Mojave Desert, trans continental Troop train, on the Aquatania troop ship Atlantic crossing, and throughout the ETO England, France, Belgium and Germany Paints swastikas on AA gun barrels in combat zones when enemy planes are shot down During army occupation does V.D. posters in Freiberg Germany From Warring England to the ware conclusion with 5 Battle Stars in the ETO INCLUDING The Invasion of Normandy The [?] and the Battle of the Bulge Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pen on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note providing a loose biography from LeRoy Neiman, from his childhood to service in WWII. Description An account of the resource This note from LeRoy Neiman provides a loose biography for the artist, early life through early adulthood. Moreoever, the document—written in preparation for the artist’s memoir, All Told—foreshadows the emphasis’ of chapters on these subjects (i.e. his broken home, the Depression, academic underachievement, and dereliction in WWII). Below this list is a further commentary to his military service and training. Neiman, with the record, seems to make a connection between these personal “failures” and his artistic career, with these founderings as presupposing his achievements in the arts. These failures should then not be seen as expression of deficiency in character but a personal assertion of a kind of externality from bourgeois life. Neiman frames himself as a naturally born and socially conditioned risk taker, not entrepreneur. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/147">LN_Notes_1673_01, LN_Notes_1673_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/149">LN_Notes_1677</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/145">LN_Notes_1658</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/148">LN_Notes_1674</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/146">LN_Notes_1667</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/144">LN_Notes_1655</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/180">LN_Notes_1995</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/73">LN_Notes_923_01, LN_Notes_923_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/71">LN_Notes_919_01, LN_Notes_919_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/171">LN_Notes_1871_01, LN_Notes_1871_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/150">LN_Notes_1702, LN_Notes_1703</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/230">LN_Notes_2436_01, LN_Notes_2436_02</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/176">LN_Notes_1903_01, LN_Notes_1903_02</a> Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_2250 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art References Childhood Document Notes Saint Paul https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/38d0b582e63efe64058a44e1ba9393c2.jpg?Expires=1790208000&Signature=PLaaSOjx9n9EJZzFUCnGN9mRrShEZxbKcPKHhhf6ZU4jbaWuKuuyH7esAZpyW9FOlBsvQLJaPe4fsyHWHoG17x6P%7EfKDFlcvgKVPOWgxyRWFDBNejRqTQYtBpGz1UkC89A1wXaFeVfsAuihpV%7EpxI6hfuQa3lC%7ERO6%7Edh55ifZnpGMpRCyIRjBPrNvvvYliD7ISA0uwze%7E-8I5MKpq4usBrS7gaSvHJLbj8RjhFyiQjTNwgeEjsziUMhaDSqGx67-ljqNH65GekQEBT7yMQfwyp2EWNfgXIwzN2K4PGmkzGYM82gpeh3vMnbznhs0djfEqKmU8XJSy-gdksrp0LnxA__&Key-Pair-Id=K6UGZS9ZTDSZM 6a2a2f96e22a1c3d84ddd6be9d98c068 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document v=(Donut Dugout SS [?] Race Track Playboy Club) Billboards See in the large Image makers delight Monumental façade Pompeii Tuscany Mexico Overhaul the wall Sunset Blvd Real Bushes – [?] All contributions are tax deductible MOLIERE – Shakespeare Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Crayon and permanent marker on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman made in preparation for his Busker Alley mural at the St. James theatre in 1995. Description An account of the resource This note was of a few from LeRoy Neiman made in preparation for his prospective mural at the St. James Theatre. The venue, which was set to host Busker Alley, invited the artist to paint the facade of the building in lieu of a billboard. That said, the broadway show was cancelled before its premier at the theater. Neiman’s mural was eventually painted over. This document itself provides a list of art engaging public space, including frescos in Pompeii and Tuscany, murals in Mexico and Los Angeles, stage sets, as well as the stock busker. In addition, in the upper right hand corner the artist has listed a variety of murals he himself completed. That said, what sets this note apart from the other related notes is the mention of “billboards”. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1995 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes, <a href="http://leroyneimanfoundation.omeka.net/items/show/186">LN_Notes_2023</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/188">LN_Notes_2025</a>, <a href="http://leroyneimanfoundation.omeka.net/items/show/189">LN_Notes_2026</a> Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_2024 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art References Busker Alley Document Gambling Italy Mural Notes https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/881faa6662cab2301e230142f8bfcd19.jpg?Expires=1790208000&Signature=wI0%7EZWjfEqkCxqvCDLPOBjt5jgIYi4BpSuZRkw0mFlbO8xRPhX3b-OY5sf2uUl9zTf%7E6mQO4quiyblwcR1ahwgEROOGhSBBBuuugWaMxpuutNoubv-B1bv22D2AzypzxbR8MBgeiYDMNzjXb75EnIkmLyaNsmIJ83EhX03wDfYj8GqMNP8D4nC3NcvVISzyN%7EByIwTS4ujy9cMB-jpvbgr1vHQuathW6JeiEkRersjV41TB7bOkD2AAEBvOm2T33nd7QGE-TaMf8H0CWd38zCTrk-pzIJxXH9vG%7E17PF9BNNpp9t0smSBRzAdwytQWqEkG4lEoxsWjd7MVnJvN1pRA__&Key-Pair-Id=K6UGZS9ZTDSZM 586dc5456f7ccbe46114235f44744064 https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/d133b53a1be1175707a72593a9a1c96e.jpg?Expires=1790208000&Signature=Gc1HDT-Hy75IIxU9FWbRMMYvKlDEhX2jjcLEfyB9x0T9oitEFGfZ%7E%7EwlNyc4sceVw2fgA6pgqwuJS0PvUed%7EJm0gJdwsfENZcJtPhqvsztnnAKcUPKaD9ylG-a3M68VJsKSzfNv%7ENoYt2JwiLyhf1aAIrZo1lcI2JGMhUeWOthjTOuwrV6QIRDqzAtIvw4PA0Y%7E7Wa8oJ3wmIm6mIt5TCJGI9M4vKBhm%7EzLvDBwtJUeDE83pPG7RaQqCzg2P8w3tvtpqPuNSr-tUzHx85U%7EXRZ2M-8jTKeR6VqtWPsYE5yArNtv9ZMMhX6qG0wxHjxXgZ0IvUIW8N8KJwwFXYw%7Ec8g__&Key-Pair-Id=K6UGZS9ZTDSZM 4cb32ba784b2250e5caa5986c08a5624 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ‘Stock Market Print’ outdoes Wall St. Neiman – Fast Draw Indy Fans Delight in Superstar Arts Sarsola Sports that it’s ‘Van Gogh’ In Artist-Painter Detroit Free Press (murals) Swedish Lloyd Ship SS Patrina of Stockholm Hotel Continental 1997 newspaper St Johns Torch April 27 Announced my being [?] by in the lobby Alumni Hall, which would be paid for by the pledges purchases by alumni. There value was 3000 (a present [?] of 350) at the time. When the U. discovered we were wholesaling them to alumni they balked that we all of humanity making additional money on the print and backed out. The money they would make more than covered my payment demand for the mural. The schools felt I should not make extra money even if they were in fact getting the work for nothing PLUS A PROFIT – Then BACKED DOWN / 1921 Neiman was there Neiman at the Races (fights, casino, Restaurant) in the army in the school in Paris in London in Chicag in NY with Playboy with Hammer dissolute Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pen and marker on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A personal note from LeRoy Neiman on his prints, biography, and relationship with St. John's University. Description An account of the resource This note from LeRoy Neiman provides a fragmented commentary from the artist on his prints (and by extension work with Knoedler Publishing in the 1970s and 1980s), biography, and relationship with St. John's University. Neiman received St. John's "University Gold” award in 1985 at commencement. That said, the note itself seems to revolve around a debacle surrounding the artist’s sale of the prints at the school. The document’s reverse outlines a rough chronology of the artist’s life and career. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1405_01; LN_Notes_1405_02 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Market Chicago Commissions Document Hammer Galleries Horse Notes Paris Playboy Print SAIC Sweden https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/3b7922433ab2860958dbe024a489b492.jpg?Expires=1790208000&Signature=Htr5h%7E3EWY3Wy6vc7i2-Ixhi-XPftwmJLTYErw5C7PgcvwUvuA2VL5ug2FqUhLPkfyyD7rZvSucH7SEIaghSsK37v1xV2gzGXv11lJQfz7yQlGGUGsg7oS3lIOJcFonC7Q1spwPjtaCQ1tPTo2SD0dLchmWJExotb8wdaqDyoSpjtYQLLTV88X%7EhMYmyTLC6C2d2oxcHfrC9%7EMz-gAdtO3lzOXn1ZAeyot1bfWQqgMXDSAEEL0sDaB4zflLicc2GjCFssgw%7EWYTKvN3b19FMiHKstjBYuFLQRKyZP-o490xHS1SSlJmTXCVuFIsiqgONNp7r9Y75EUj07Kc5gNfb4g__&Key-Pair-Id=K6UGZS9ZTDSZM fd00ae3779565fd079d436f80a34f049 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document C/B Eye implants blest pleasure painful[,] good evil French still life painting and French Hunt game paintings are basically of edible subject matter The reason I went to C and B school […] a cook because the […] full day on duty […] around Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pencil, pen, and marker on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on cooking and artistic references. Description An account of the resource This note from LeRoy Neiman draws fragmented connections between the artist’s experience at Cooks and Bakers School while serving in WWII and French painting. Outside proximity, discrete associations elude. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1231 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art Reference Document Notes https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/6ccbd593014e693dee60fd508f62a973.jpg?Expires=1790208000&Signature=Ev-9xQ9T2V8tYP-gtTFvO8NZJAxv6cUs-D-bIPZxpZwu5TlC2Bz%7EHEDIDQMX3BFIUeYZvIPsNoOGajeldv2uC6erDrCzldmFG3YXCLJ5oP-vtkEyLHc-p0aIr7QywueKWGykABV6-kYJ8BYqS2Vr9FwIe4N-UK6oxu-X%7EAlsAT7Qk3a5YasvueaxhaULQUnu1bgyV%7EdjcmK0kNabbh3g2PyTPoskBYEPUr%7ELBDTdRuDEHDtuxY%7EjauZcTZwv3GSUUIJjT9Z7fkdkeCNxFikI8OnJ1NF%7E3wZqVJTHVvaU%7EQPOPqpWB81a4aiRCg%7Ej%7EQQLZPz5VsNAG6FRTN9c9IePIA__&Key-Pair-Id=K6UGZS9ZTDSZM 94b8c8bc0cf474f6b661fd1b84461597 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Antwerp Cathedral [altarpiece] Peter Paul Reubens The raising of the cross 1610-11 Horse-figures-drapery Antwerp museum 2 Rubens ptgs. Two dead Christ crucifixion – FEET FIRST Foreshortening Nuremberg Dürer’s woodcuts (END OF 15TH Century) and drawing 4—Lamentation –entombment Dozen woodcut of the Passion Bearing cross-crucifixion 2 angles under the nailed to cross liquids of Christ catching the dripping blood in the chalices The idea that such powerfully spiritual skilled work could come from our enemy Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Felt-tipped pen on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on artistic reference. Description An account of the resource This note from LeRoy Neiman marks impressionable works found in Antwerp, Belgium—a work from Reubens (Elevation of the Cross from 1610) and a selection of Albrecht Dürer woodcuts. Alongside this informal catalogue, Neiman provides a set of brief formal remarks on the pieces. It is unclear whether or not Neiman saw the works in the flesh. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1108 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Altarpiece Antwerp Army Art Art Reference Document Dürer Horse Notes Nuremberg Print Rubens https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/bf462a442682c5c345333a25823361a0.jpg?Expires=1790208000&Signature=J03zIdKfjhQRM8Y0dX8n5zEfcLW7FeZZq7Ypamf1oodhhuKnFcXmx9dnLjtDuGUUH6lXK58CwYpaaLPNj3RXVZsne93JbTJ4t4WQIuG7w9JfU3osIWKhsrr9LPrmpo9eFB8wQsFsHsz4tkHUuruJYiYC1QV7AeFkfjpt8SqW71e6YbZfrSR5xIOJy8vQGoyJP-SOtSXtGMU1xCSHsGgggC7xqZ7w2%7EjfH-M7XkbsvN9l1y-HF0XJp9KUL9jrHUMLHwsxqi7yiB9CrDr5VsBumkYDcypS3Evi749MkWL6FeHYTkKXXdnY1VJ0Cf4XBnKpbDgIkZvlBtSNI3PTHLR5rg__&Key-Pair-Id=K6UGZS9ZTDSZM b4807ca80537248a7281b6d6e1a246fd https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/46f5705437d1e2feb65421af1825a4db.jpg?Expires=1790208000&Signature=Il2koUxfUlyIMGidO6KNsDppfHwGxsSVwRGXshCu6qPEbnMZDDB-cnG4S55DWxRavewJRvSGZSt-cpFyVEb7%7Ex5VpoP4UvX8XYht8G3q70HqsengCAJWiy4ktIFoIsptxTkbPdzOszdSsT6YBnljkbevB785c1zipt0XPbnktHZbXgVOADozAT4O06Q1n4B%7E8-lTtbVqvvLVghsc9-tWg40Frwm56Vp2vlk-Iz3ZVYzZ5KtxPVzmUSKiR58JdV21d%7EawsUR6jmk28YXRkZxsjriBCZJN0HCzsgMMds%7Ed8V5wstCjjcLFCKwtBZJiB7fOunG1rv4zHa-jrzBbW95v0Q__&Key-Pair-Id=K6UGZS9ZTDSZM 5c10d6f76ca5a42070b648efe1b7e18a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document In Art I [FILE #5: ARTSCHOOL / A. The G.I. Bill / The pivotal point was the G.I. Bill of Rights following WWII. It made it possible for our young veterans to gain a liberal education. The much maligned generation was the beneficiary of the growing movement towards education for all, men and women, white and minorities, which represented a major departure from the older idea of higher education reserved as a privilege for the elite alone. For must of us that took place right then and there. The School of the Art Institute of Chicago primed thousands of professional careers. The AIC provided the facility, the G.I. Bill provided the tuition - [...] ] / top [...] 1 left right 1.25 80th Park / Lex Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wordprocessed document with pencil on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on the GI Bill. Description An account of the resource This note from LeRoy Neiman recounts the opportunities made available to the artist through the GI Bill on both a personal (i.e. attending art school) and more general level (i.e. “gain[ing] a liberal education”). The writing is one of many marking this program as watershed. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1091_01; LN_Notes_1091_02 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Chicago Document G.I. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ["Without intent I draw from the outside world the semblance of things, but in this way, I, myself become part of the world's imaginings. Thus in everything imagination is simply that which is natural. It is natural vision, life..." / H. INFLUENCES & IMITATIONS / When I got out of the army in St. Paul, I did a quick oil on a cotton canvas fragment of a Tilman Riemenschneider's head of Christ from a pamphlet on his work I bought in Wurzburg in 1945 in army occupation. / During the 50's and 60's ] some of [my favoriet artworks were Toulouse Lautrec's lithos, Gustave Courbet's (1819-1877) "L'Apres-Diner a Oran" (1949), Paul Cezanne's "Card Players" (1892), Daumier's "At the Cafe" / Lautrec and Dufy were my favorites as well, together with Kees van Dongen, a then hard to find in Chicago, sort of "out of favor" artist. / I became very attached to certain paintings in the Chester Dale collection / - Henri-Marie-Raymond, Vicomte de Toulouse Lautrect Monfa, French 1892. "At the Moulin Rouge" (47 1/2 X 55 1/4), "At the Moulin de la Galette" the SAIC owned half a dozen of his paintings, a sketchbook and hundreds of prints. A Lautrec exhibition was held in 1949. He put himself in the painting. He drew great head shapes, women's hairdo, men's hat indoors, young adolescent girls. Right foreground chlorotic, pale yellow, green color Design dark shape groups] / [- Raoul Dufy, French 1877-1953: "Nude Reclining", an exotic painting with color combinations and violets and a mountain landscape "Saint Janet" / Also "Mindful of Hindu Girl" (1928) / - Henri Matisse, French 1869-1954: "Woman Before An Aquarium" The gaze of a woman stopping at fish. I always have felt Matisse arrived at what he wanted with]out [having to change the things very much. His intelligence guided him, and what he put down was what he intended] very positive. When he made a change he left evidence / [- Pablo Picasso, Spanish 1881-1973: "Family of Saltimbanques" (7 X 7 1/2), "Lovers" and from his "blue period", little girl etching a bowl while standing at a table (1901) / - John Singer Sargent, American 1856-1925: "Nude Study of an Egyptian Girl" / - Giorgio de Chirico, Italian 1888-19: "Conversation Among the Ruins" (loan) / - Francois Boucher, French: "Nude" / - Georges Rouault, French 1871-19 "Jesus Always Scourged" (1922) (Also "Christ's Head", in Paris) / - A half dozen Braques' and Innis / - The women paintings of Modigliani / - Edgar Degas, French 1834-1917 Pastels, namely "Dancers in the Wings" / At SAIC all students experienced, first hand, the many benefits of the Museum, of the Ryerson Library Print Collection as well as the Goodman Theater of Drama - which was associated with the school. / My art teachers at SAIC were Boris Anisfeld (painting),] Document [Briggs Dyer (drawing and painting), Alan Philbrick (pen and ink), John Rogers Cox (scratch board rendering), Ed Ruppercht (subject matter, general drawing), Paul Wieghart (painting),] 6 [Members of SAIC's staff were Carl O. Schniewind (curator of prints and drawings) who loved French prints, Hugh Edwards (assistant] Harold Yoachim? / [curator of prints and drawings), Ethelred Abbot (librarian), Ryerson and Burnheim. Katherine Kuh (curator of modern painting and sculpture) became an editor and liked my work. Daniel Catton Rich (director of Art Institute from 1938 to 1958) loved Magnasco (4) Fredrick A. Sweet (curator of American paintings) when he selected a painting from two he was considering to hang in the American exhibition of the Art Institute, said after studying the two paintings "you're on the right track, but your paintings need be a bit more cursory". This was meaningful comment and I've tried, but still show more than I should. / Art school students were John Bajerus, Bob and Herb Katzman, Franz Schultz, Seymour Rosephsky, Irv Petlin, Bob Natkin (with whom I am still in contact), Nathan Goldstein,] very promising sculptor [Claus Oldenburg, Leon Golub, Estes (who started the hyperreaslist school) Jordan Krimstein, John Jurgens] had something surrealistically special [and Charles Usher] a talent who I felt needed to be watched [a black student (5), were very talented. There are no big names today because of other objectives Robert Natkin was a kid out of high school in our class that comprised 75 to 85 war veterans - even WACS Student Whitney Halstead was an assistant to Kathleen Blackshear, the History of Art instructor and lecturer I once seriously kicked him in the ass when he snippely scolded me about my paper being turned in late. / The art Institute major shows were with De Kooning and Pollock (abstract expressionism), Enamul, Baziotes, Marco Relli, Van Gogh, and a tapestry show] Kline Guston / Katherine Kuh said when sitting with a group of students "Picasso if he were born and living the U.S. would do any kind of art he pleased to experience himself. In Europe he had to be just a painter and a sculptor. / Between 1947 and 1959, when at SAIC, I became especially interested in [...] / - Jean-Francois Millet, French 1814-1875 "Bringing Home The New-Born Calf" (oil) Peasant scene of a mother following calf bearers / - Jules Breton, French 1812-1875 "The Song of the Lark" Female dignity. / - El Greco 1541-1614: "Assumption of the Virgin" The rolled back upward wet eyes! / - Giovanni Paolo Pannini, Italian 1691-1765: "Festival of Piazza Navonna" I later (in 1991) worked in Piazza Navonna. / - Nicolaus Poussin, French 1594-1665 "Saint John on Palmas" Landscape. / - Paul Cezanne, French 1839-1906 "Mountain being Mont Sainte-Victore" (1887 London) Great landscape paintings in Le Louvre Anvers: Cubistic Village Panorama (oil). Shanting roof tops and flat sides of buildings. Study Lorain "Cezanne's compositions" / - Kees Van Dongen, Dutch 1877-1919 "Rue de la Paix". Elegant womens and dogs, style. / - Willaims Glackens, Americans 1870-1938: "Chez Mougin" Restaurant, cafe scene with a couple, a coat over a chair, still life of glassware on table. Ash can. / - John Sloan, American 1871-1951: "Mc Sorley's Bar" "Renganeschi's Saturday Night" Restaurant. On the left side, a couple is busy attacking plates, a man is eating soup; waiter, etc. [...] / - John Marin, American. "Fifth Avenue", watercolor wizard, turbulence, clock 11 A.M. / - Edouard Manet, French 1832-1883: "Le Journal Illustre" Woman reading newspaper on baton in public attire. Brushwork, ala prima, fluid paint.] / [- Pierre Bonnard, French 1867-1947 "Preparation for Lunch" (gouache). Folding napkins, setting table, still life, table cloth. / - Chardin, French 1699-1779: "The White Tablecloth". Bread, wine, knife. / - Daumier Honore, French caricaturist. He probed human feeling and broadly transcribed contemporary life. His period treated him unkindly; he is now belauded. This perversion of a talent justly celebrated for work of another kind has found much favor / - Hendrik Gollzives, Dutch 1558-1619: "Hercules" (engraving), rendering from back. Great technique and anatomy (Met. Mus., Rembrandt Colelction) / - Giovanni Battista Tiepolo, Italian 1696-1770: "Rinaldo and Armida in the Garden". Prominent with companion piece at top of stairs; later other prominent pieces at the Met. Soft colors, space. / The Italians - Tintoretto, Veronese and Tiepolo - hit me hard and stayed with me, although they were not strongly represented in the Chicago Art Institute collections. I looked at Fragonard and Tiepolo in Ryerson Library. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Word processed document with pencil on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on art references garnered during his time at SAIC. Description An account of the resource This note from LeRoy Neiman provides an anecdotal account of influences rooted the artist’s time at SAIC. Generally, the references catalogued are from a selection of French artistic movements and schools. In addition, Neiman supplies a discussion of SAIC faculty who expressed interest in his work. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_1089_01; LN_Notes_1089_02; LN_Notes_1089_03; LN_Notes_1089_04; LN_Notes_1089_05 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art Reference Bonnard Cezanne Chardin Chicago Daumier de Kooning Document Gollzives New York Notes SAIC Tiepolo Tintoretto Toulouse-Lautrec van Dongen Veronese https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/7dbcfa989a84337ed4f11c07c100ae21.jpg?Expires=1790208000&Signature=VMNUxY-ST-TENp3raaVmH2TWzpYqaDwxi0n-P6B8F3QsvURKOnzDZqowL3FuJ4g7H36MNBAFPKY4BuCsXxsZzJkNap2ZQjBdGKW3OSDaU3YnKJdjruC2LqclN6CoxkcGwWunw4O4GD8X0%7EVt5XbwLwRBpwCVXQdzj2UW-ArOM9cH0Z1UD87Kb01%7Em%7E3jNczCkQYanZ7fX7F1e6rNTdZkffvfwmW%7EY2v532nI-%7E-o6r5klJyW2Yk09odkG33yDygXMNlg6Bldd2IXZGYRoizn744Kz%7EVaWOyCcuVb0dE2lZW89Y4dd0u1tLS25L-nxQoNdW5a7lEPAS5cBHGaK3%7Eo6w__&Key-Pair-Id=K6UGZS9ZTDSZM 5349cc61503a172f3ddcb0a72ca82296 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document ARMY BIRMINGHAM Black Country – industrialized region, name derived from its pollution-coated landscape. Extend immediately to the west of Birmingham. Being of the coalfields, blast furnace filled the air with smoke and grime – extreme pollution Army England Purloin haunt – to put away, render ineffective Delay – to appropriate wrongfully Steal – to practice theft, filch My Moby Dick Book Moby Dick appeared in 1951 In 1853 the unsold copies burned up in the publisher’s warehouse fire No one cared one way or another The public forgot him. His prestige waned As lecturer, he faded and withdrew from public life The first edition did not come close to selling out in his lifetime Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Pencil, felt-tipped pen, and maker on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on, possibly, artistic reference. Description An account of the resource This note from LeRoy Neiman is sectioned into three topics. The first passage regards Birmingham, England. The second segment exists a list of vocabulary. And the third division looks at the initial, lackluster reception of Moby Dick. The nature of the note is unknown. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_887 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art Reference Document Notes https://d1y502jg6fpugt.cloudfront.net/33175/archive/files/65b90cfea24970a193efba8412b92771.jpg?Expires=1790208000&Signature=fDh4Xo1Cn4L7rMQuYuWupOoKH2fFDH8ycav5OIjz6rwoIOqSEXcgi-BrJ98bWI8rVhkwX0GvHaLZUFlsJHhyephb87C6B8Nxj5AyXKxAmGsQtAP0zgyVQ-9JxppU9Oooi3TEsfrkqGW7fdjLFnhY7gByefDoI9ivRA7Eln4NRljzW1th%7EFFXRvLgCDFQpf55v1IefONpV62%7Ei6HxNqN%7E7gqQaRWmJnF77I4TMKtkutVpWOVQg3nWNNpfMMl-c5AzO0OrHeubXa1Rq6fRAL3M6zZ7Ga4mBaF6EF2BnskL5WrIMmasEOlSBftNjpGXYENztLeY1ZhjTHpRnqZrgAcpaA__&Key-Pair-Id=K6UGZS9ZTDSZM 1e408002789ca15af983d6652b7f35bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LeRoy Neiman, Notes on Art Subject The topic of the resource This collection features LeRoy Neiman’s notes on art. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived Regarding provenance, the documents originate from Neiman's personal estate, largely found in Neiman's in-home office at Hotel Des Artist on the Upper West Side in New York, New York; Neiman amassed the bulk of materials late career. For further information on source, please contact the archivist at the LeRoy Neiman Foundation. Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1980-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource LeRoy Neiman's personal notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Documents Identifier An unambiguous reference to the resource within a given context Identifiers found at item level. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Description An account of the resource LeRoy Neiman’s notes on art encompasses the artist’s comments on art generally as well as his personal process, career and critical reception, style, and artistic reference. Although this collection provides insights into Neiman’s perception of art’s role in life and work, its extent is not final. The artist’s musings on the subject spill over to other records, such as his thoughts on childhood, travel, sports, food culture, and class politics. The majority of these documents were made in preparation for the artist’s memoir, All Told. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Time to speak my tongue. Tired of being treated with distain. Let them have their say. Thy are convinced in concert of then news. Why deny me their wails. Confessions of a young artist Confessions of an army cook Confessions of a student Confessions of an old artist Depict life on many levels The arduous task of being a successful artist in a money oriented marketplace where those critical of your popularity and financial gains do the (very) same (things) as the practices (you) and your associates do in a profitmaking society. The most elite and elevated leaders of the (selected) official art world boast of the prices, (how) cannonzied an artist’s work gets, and they also explore exploit the very (same) promotional directions [as] the art merchants they dismiss as hustlers do. Sales and publicists for both (public and the officially recognized artist) is one and the same practice. Hectic output led to success after success – and to being controversial and unacceptable to the taste makers. After many years creating under those conditions and accepted generation followed doing much the same thing to applause. The public sculptures honoring French artists in Paris by gifted sculptors of past centuries is monumental and a tribute of lasting honor. (To the artist) I sight the Moliere piece on Rue Rivoli and large many figured piece including and honoring de Maupassant in the Parc Monceau (8th Arrondissement) Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Felt-tipped and ballpoint pen on paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Note on Art Subject The topic of the resource A note from LeRoy Neiman on his critical reception. Description An account of the resource This note from LeRoy Neiman was made in preparation for the artist’s memoir, All Told. The writing opens from the vantage point of both protest and resignation. Neiman is speaking to his critical reception. This emotionally indeterminate stance is then flipped, giving way to a review of potential titles for his prospective book. The remaining three sections of the document look at notions of success. The first two return to a tension between commercial prosperity and social ranking within the establishment. The final segment touches on the subject of tribute; within this portion, Neiman cites the gifting of public sculptures honoring french artists in Paris. Creator An entity primarily responsible for making the resource LeRoy Neiman Source A related resource from which the described resource is derived LeRoy Neiman Foundation Publisher An entity responsible for making the resource available LeRoy Neiman Foundation Date A point or period of time associated with an event in the lifecycle of the resource c. 1990-2011 Contributor An entity responsible for making contributions to the resource LeRoy Neiman Rights Information about rights held in and over the resource Property of the LeRoy Neiman Foundation; please consult the organization's archivist for further details. Relation A related resource Notes Format The file format, physical medium, or dimensions of the resource Image/jpeg Language A language of the resource English Type The nature or genre of the resource Document Identifier An unambiguous reference to the resource within a given context LN_Notes_881 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) New York Army Art Art Reference Celebrity Critic Document Maupassant Moliere Notes